Nietzsche''s ''The Birth of Tragedy'' : A Reader''s Guide.

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Bibliographic Details
Author / Creator:Burnham, Douglas.
Imprint:London : Bloomsbury Publishing, 2010.
Description:1 online resource (203 pages)
Language:English
Series:Reader''s Guides
Reader''s Guides.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10009036
Hidden Bibliographic Details
Other authors / contributors:Jesinghausen, Martin.
ISBN:9781441171665 77 (NL)
Notes:Description based upon print version of record.
Other form:Print version: Burnham, Douglas Nietzsche''s ''The Birth of Tragedy'' : A Reader''s Guide London : Bloomsbury Publishing,c2010 9781847065841

MARC

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490 1 |a Reader''s Guides 
500 |a Description based upon print version of record. 
505 0 |a Contents; Introduction; 1. Context; 2. Overview of Themes; 3. Reading the Text; An Attempt at Self-Criticism'; Foreword: Art, Wagner and War; Section 1: The Apolline and Dionysiac as Art- Drives and 'Living Concepts'; Envisaging a New Science of Aesthetics. Note: Nietzsche and Darwin; Section 2: The Drives at Work in Pre-Socratic Greece; Three Types of Symbolization; Psychogenesis of the Dionysian in Asia and in Greek Culture; Section 3: The Origins of 'Genealogy': Psychogenesis of the Apollonian in the Greek 'Character'. Note: Nietzsche, German 'Hellenism' and Hölderlin 
505 8 |a Section 4: Necessity of Relationship between the Drives: their 'Reciprocal Intensification' the 'Ethics' of the Drives; the Five Periods of Greek Culture; Introduction of 'Attic Tragedy'; Section 5: Historical Manifestation of the 'Third Type' of Symbolization: Archilochus, the 'Father' of Tragedy; The Fusion of the Drives in Lyric Poetry; Section 6: Folk Song; Fusion of Language and Music; Section 7: The Chorus as Historical Nucleus of Tragedy; Nietzsche's Critique of Hegel; Section 8: The Chorus as Earliest Cell of Tragedy 
505 8 |a Modern Poetry and Theory of Language. Note: Philosophy of Language in NietzscheSection 9: The Double Meaning of Sophoclean and Aeschylean Tragedy; Section 10: The Revival of Myth in Tragedy as its Death Throes: The End of the Mythological Age and the Dawning Age of Logic; Section 11: Euripides as Critic rather than Poet; Section 12: The Misunderstanding and Repression of the Art-Drives; Section 13: Socrates - The Axis of Cultural History; Section 14: Death of Tragedy; Birth of Modern Art; Section 15: Science as a Deficient Mode of Art; Socrates at the Gates of Modernity 
505 8 |a Section 16: Aesthetics of Modern Music Drama. Note: Nietzsche, Music and StyleSection 17: Death of Myth as the Death of Tragedy; Section 18: The Crisis of Socratic Modernity. Note: on 'Bildung'; Section 19: Naïve and Sentimental; Early Opera - Mismatch of Ingredient Elements; Section 20: German Education; Revolutionary Epiphany; Section 21: Modern Opera - Wagner's Tristan and Isolde as Aesthetic Paradigm; Section 22: The Aesthetic Listener; Section 23: The Still Untroubled Unity of the German Spirit 
505 8 |a Section 24: Justification of the World as Aesthetic Phenomenon Radicalised - Theory of Musical DissonanceSection 25: The Study of Dissonant Man; 4. Reception and Influence; Study Questions; Notes; Further Reading; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; W 
650 4 |a Geburt der Trago¨die. 
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630 0 7 |a Geburt der Tragödie (Nietzsche, Friedrich Wilhelm)  |2 fast  |0 http://id.worldcat.org/fast/fst01358047 
650 7 |a Aesthetics.  |2 fast  |0 http://id.worldcat.org/fast/fst00798702 
650 7 |a Greek drama (Tragedy)  |2 fast  |0 http://id.worldcat.org/fast/fst00947146 
650 7 |a Music  |x Philosophy and aesthetics.  |2 fast  |0 http://id.worldcat.org/fast/fst01030408 
650 7 |a Tragedy.  |2 fast  |0 http://id.worldcat.org/fast/fst01154355 
650 7 |a Tragic, The.  |2 fast  |0 http://id.worldcat.org/fast/fst01154367 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 http://id.worldcat.org/fast/fst01411635 
700 1 |a Jesinghausen, Martin.  |0 http://id.loc.gov/authorities/names/n2009053746  |1 http://viaf.org/viaf/96752768 
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