Essential Radio Skills : How to present a radio show.
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| Author / Creator: | Stewart, Peter. |
|---|---|
| Imprint: | London : Bloomsbury Publishing, 2010. |
| Description: | 1 online resource (417 pages) |
| Language: | English |
| Series: | Professional Media Practice Professional Media Practice. |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10013606 |
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| 035 | |a (OCoLC)893335338 | ||
| 035 | |a (AU-PeEL)CARLIEBL708909 | ||
| 040 | |a AU-PeEL |b eng |c AU-PeEL |d AU-PeEL | ||
| 049 | |a ILLA | ||
| 050 | 4 | |a PN1991.5 .S74 2010 | |
| 082 | 0 | 0 | |a 791.4402 |
| 100 | 1 | |a Stewart, Peter. |0 http://id.loc.gov/authorities/names/n89617259 |1 http://viaf.org/viaf/118726550 | |
| 245 | 1 | 0 | |a Essential Radio Skills : |b How to present a radio show. |
| 260 | |a London : |b Bloomsbury Publishing, |c 2010. | ||
| 300 | |a 1 online resource (417 pages) | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
| 337 | |a computer |b c |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/c | ||
| 338 | |a online resource |b cr |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/cr | ||
| 490 | 1 | |a Professional Media Practice | |
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a Cover; Contents; Foreword; Preface; The author; Acknowledgements; Part One: OFF AIR; 1 THE STRUCTURE OF UK RADIO; The BBC; Commercial stations; RSLs; Community radio; Digital radio; Student radio; Hospital radio; Internet radio; Podcasting; Pirate radio; 2 SO YOU WANT TO PRESENT?; What are the plus points?; What are the negatives?; Your qualifications; Your qualities; Your name; Possible earnings; Career prospects; 3 SO YOU WANT TO PRODUCE?; What are the plus points?; What are the negatives?; Your qualifications; Your qualities; Possible earnings; Career prospects | |
| 505 | 8 | |a 4 OTHER PEOPLE AT THE STATIONYour manager; Programme controller/director or SBJ programmes; Journalists; Other producers or broadcast assistants; Other presenters; Promotions team; Marketing and brand management team; The sales team; Commercial production; Traffic department; Accounts, finance and admin; Music librarian and scheduler; Community affairs producer; Engineer; Receptionist; 5 THE RADIO STATION; The station's name; Station logo; Station slogan; The station brand; Advertising the station; Advertising on the station; Advertising the station on the station; 6 THE AUDIENCE | |
| 505 | 8 | |a The target audienceNon-target listeners; Rajar and ratings; Part Two: PRE PRODUCTION; 7 THE PROGRAMMES; The programmes; Programme names; The breakfast show; Daytime shows; Drivetime shows; Evening shows; Overnight shows; Saturdays; Sundays; 8 MUSIC PROGRAMMING; Music research; The core; The playlist; Scheduling music; The playlist meeting; Music categories; The mix in an hour; Hour starters; All the hits?; The role of the computer; Street-level scheduling strategies; The playout computer; The presenter and the music; The importance of music; Music features; Inappropriate music | |
| 505 | 8 | |a Appropriate musicExclusive tracks; Obit songs; Radio edits; Power starts.; Christmas songs; Christmas countdowns; PPL, PRS and MCPS; Library music; The spoken word; Internet tracks; 9 SPEECH PROGRAMMING; Planning the running order; 10 SHOW PREP; Where links come from; Breakfast show prep; Show prep services; Other tips and hints; User-Generated Content - UGC; 11 GETTING GUESTS; Choosing guests; Making the call; Celebrity guests; Local appearances; Politicians; Actors and musicians; The hierarchy of interview locations; Briefing sheets; Handover sheets; The guest on the day; ROTs | |
| 505 | 8 | |a Your contacts book12 OUTSIDE BROADCASTS; Why an OB?; Before an OB; What to take on an OB; On the day; The broadcast bit of an OB; After the event; Risk assessment; Personal appearances; The presenter's role; Finally; 13 THE LAW AND GUIDELINES; Libel; Contempt of Court; Elections; Other legal issues; 14 YOUR HEALTH AND SAFETY; The presenter/producer relationship; The C-word; Assertiveness; Your personal safety; Your health; Time management; Part Three: INSIDE THE STUDIO; 15 KNOBS, BUTTONS AND SWITCHES; The studio; New technology; The basics; Mixing desk - panel, board or console; Sources | |
| 505 | 8 | |a The lights | |
| 650 | 4 | |a Radio -- Production and direction. | |
| 650 | 4 | |a Radio announcing. | |
| 650 | 4 | |a Radio broadcasting. | |
| 650 | 7 | |a Radio announcing. |2 fast |0 http://id.worldcat.org/fast/fst01087193 | |
| 650 | 7 | |a Radio broadcasting. |2 fast |0 http://id.worldcat.org/fast/fst01087224 | |
| 650 | 7 | |a Radio |x Production and direction. |2 fast |0 http://id.worldcat.org/fast/fst01087122 | |
| 776 | 0 | 8 | |i Print version: |a Stewart, Peter |t Essential Radio Skills : How to present a radio show |d London : Bloomsbury Publishing,c2010 |z 9781408121795 |
| 830 | 0 | |a Professional Media Practice. | |
| 852 | 8 | |b pda-ebl |x carli-ebl-pilot | |
| 856 | 4 | 0 | |u http://carli.eblib.com/patron/FullRecord.aspx?p=708909 |y Select University of Chicago from dropdown list |z Please contact Library regarding classroom use |
| 903 | |a HeVa | ||
| 929 | |a eresource | ||
| 999 | f | f | |i c289eb8f-221d-5a00-a232-4b132c6ac38c |s c03063d5-1d6c-576a-b9e7-e7c653a8a90c |
| 928 | |t Library of Congress classification |a PN1991.5 .S74 2010 |l Online |c UC-FullText |n Please contact Library regarding classroom use |u http://carli.eblib.com/patron/FullRecord.aspx?p=708909 |z Select University of Chicago from dropdown list |g ebooks |i 8568374 | ||