Mind's eye : masterworks on paper from David to Cézanne /

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Bibliographic Details
Uniform title:Mind's eye (Dallas Museum of Art)
Imprint:[Dallas] : Dallas Museum of Art, [2014]
New Haven ; London : Yale University Press
Description:240 pages : illustrations ; 28 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10086063
Hidden Bibliographic Details
Other authors / contributors:Meslay, Olivier, editor.
Jordan, William B., 1940- editor.
Dallas Museum of Art.
ISBN:9780300207217 (alk. paper)
0300207212 (alk. paper)
Notes:Includes bibliographical references (pages 233-238).
Summary:An overview of European art from the French Revolution to the First World War, Mind's Eye encompasses 116 works on paper in various media by seventy artists. These works range from quick sketches and working drawings to cartoons for large murals and highly finished masterpieces. Among the featured artists are such recognizable names as Pierre Bonnard, Paul Cezanne, Jacques-Louis David, Edgar Degas, Eugene Delacroix, Theodore Gericault, Fernand Leger, Pablo Picasso, Pierre-Auguste Renoir, and Georges Seurat. Also included are never-before-published works by accomplished yet lesser-known artists, such as Albert Anker, Henri Gaudier-Brzeska, Adolf Hiremy-Hirschl, Fernand Khnopff, Frantisek Kupka, and Simeon Solomon. Noted international specialists in the field address the working methods of these artists and the aesthetic beauty of their drawings and watercolours, and offer focused studies on artists, regions, schools and themes. By simultaneously drawing attention to overlooked works and reexamining those produced by famous artists, this catalogue examines the overall effect of their cumulative contributions from a fresh, modern perspective.0Exhibition: Dallas Museum of Art, USA (29.6.-26.10.2014).
Review by Choice Review

A museum without a curator for works on paper puts on an exhibition of drawings, most of which are borrowed from regional private collections and many of which were acquired in the last decade or so. From this seemingly unpromising venture comes a visual feast of a catalogue that is a joy to browse and read. Chronologically, most of the 100-plus works belong to the 19th and early 20th centuries; geographically, the bulk of them are French; however, interesting Dutch, Austrian, Swiss, German, and British examples are included. The works by well-known artists are often quite choice. The entries are little jewels. Exceedingly beautiful works represent many little-known artists, including Simeon Solomon, Albert Anker, Pascal Dagnan-Bouveret, Rudolf von Alt, François-Louis Français, François-Marius Granet, and Ernest Biéler. Both the history of art and the history of collecting are well served by this exemplary catalogue, which both opens up and deepens readers' knowledge. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. --Patricia Emison, University of New Hampshire

Copyright American Library Association, used with permission.
Review by Choice Review