Screenwriters and screenwriting : putting practice into context /
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| Imprint: | Basingstoke, Hampshire : Palgrave Macmillan, 2014. ©2014. |
|---|---|
| Description: | 1 online resource. |
| Language: | English |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10092528 |
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| 020 | |a 9781137338938 (electronic bk.) | ||
| 020 | |a 1137338938 (electronic bk.) | ||
| 035 | |a ebr10958928 | ||
| 035 | |a (OCoLC)884451509 | ||
| 035 | |a (NhCcYBP)ebr10958928 | ||
| 037 | |a 677721 |b Palgrave Macmillan |n http://www.palgraveconnect.com | ||
| 040 | |a NhCcYBP |c NhCcYBP | ||
| 050 | 4 | |a PN1996 |b .S37 2014 | |
| 082 | 0 | 4 | |a 809.23 |2 23 |
| 245 | 0 | 0 | |a Screenwriters and screenwriting : |b putting practice into context / |c edited by Craig Batty. |
| 264 | 1 | |a Basingstoke, Hampshire : |b Palgrave Macmillan, |c 2014. | |
| 264 | 4 | |a ©2014. | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
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| 505 | 0 | |a PART I: SCREENWRITERS AND THEIR SCREENPLAYS -- 1. White Space: An Approach to the Practice of Screenwriting as Poetry; Elisabeth Lewis Corley and Joseph Megel -- 2. Narrating Voices in the Screenplay Text: How the Writer can Direct the Reader's Visualisations of the Potential FIlm; Ann Ingelstrom -- 3. Writing Horror: Blending Theory With Practice; Shaun Kimber -- 4. Beyond the Screenplay: Memoir and Family Relations in Three Films by Gaylene Preston; Hester Joyce -- 5. Costume as Character Arc: How Emotional Transformation is Written into the Dressed Body; Craig Batty -- PART II: SCREENWRITING AND THE DEVELOPMENT PROCESS -- 6. Developing the Screenplay: Stepping into the Unknown; Margot Nash -- 7. 'The Irish Film Board: Gatekeeper or Facilitator?' The Experience of the Irish Screenwriter; D̤̕g O'Connell -- 8. First Impressions: Debut Features by Irish Screenwriters; Susan Liddy -- 9. 'Sorry Blondie, I Don't Do Backstory!' Script Editing: The Invisible Craft; Paul Wells -- 10. Scripting the Real: Mike Leigh's Practice as Antecedent to Contemporary Reality TV Texts "The Only Way is Essex "and "Made in Chelsea"; Peri Bradley -- PART III: SCREENWRITING AND AUTHORSHIP -- 11. Based on a True Story: Negotiating Collaboration, Compromise and Authorship in the Script Development Process; Alec McAulay -- 12. Sarah Phelps on Writing Television: Adaptation, Collaboration, and the Screenwriter's Voice; Kate Iles -- 13. Working the Writers' Room: The Context, the Creative Space and the Collaborations of Danish Television Series "Borgen"; Eva Novrup Redvall -- 14. And the Screenwriter Created Man: Male Characterisation in Bromance and Bromedy; Helen Jacey -- 15. Gals Who Make the Jokes: Feature Film Screenwriting for the Satirical Female Voice; Marilyn Tofler -- 16. Self-Reflexive Screenwriting and LGBT Identity: Framing and Indirectly Reading the Self; Christopher Pullen. | |
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Motion picture authorship. |0 http://id.loc.gov/authorities/subjects/sh85088030 | |
| 650 | 0 | |a Screenwriters. |0 http://id.loc.gov/authorities/subjects/sh85118942 | |
| 650 | 7 | |a Motion picture authorship. |2 fast |0 http://id.worldcat.org/fast/fst01027122 | |
| 650 | 7 | |a Screenwriters. |2 fast |0 http://id.worldcat.org/fast/fst01109351 | |
| 700 | 1 | |a Batty, Craig, |e editor. |0 http://id.loc.gov/authorities/names/no2010022602 |1 http://viaf.org/viaf/81314353 | |
| 776 | 0 | 8 | |i Print version: |t Screenwriters and screenwriting |z 9781137338921 |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/uchicago/detail.action?docID=1765658 |y ProQuest Ebook Central |z Licensed for 1 user at a time |
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| 929 | |a eresource | ||
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| 928 | |t Library of Congress classification |a PN1996.S37 2014 |l Online |c UC-FullText |n Licensed for 1 user at a time |u https://ebookcentral.proquest.com/lib/uchicago/detail.action?docID=1765658 |z ProQuest Ebook Central |i 8211387 | ||