Performative monuments : the rematerialisation of public art /

Performative monuments : the rematerialisation of public art /

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Bibliographic Details
Author / Creator:	Widrich, Mechtild.
Imprint:	Manchester, United Kingdom ; New York : Manchester University Press, 2014
Description:	xiv, 226 pages : illustrations ; 24 cm
Language:	English
Series:	Rethinking art's histories Rethinking art's histories.
Subject:	Performance art. Performance artists. Performance art.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/10103093

Hidden Bibliographic Details
ISBN:	0719095913 9780719095917 9780719091636 (hardback) 0719091632 (hardback)
Notes:	Includes bibliographical references (p. 203-216) and index.
Summary:	This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by making self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience. Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.

Table of Contents:

List of illustrations
Acknowledgements
Introduction: what is a performative monument?
1. Documents
2. Audiences
3. Sites
4. Monuments
5. Relations
Select bibliography
Index