The human factor : the figure in contemporary sculpture /

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Bibliographic Details
Imprint:London : Hayward Publishing, [2014]
©2014
Description:198 pages : chiefly illustrations (chiefly color) ; 30 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10110647
Hidden Bibliographic Details
Other authors / contributors:Rugoff, Ralph, 1957- author, editor.
Althamer, Paweł, 1967- artist.
Benson, Frank (Artist), artist.
Bhabha, Huma, 1962- artist.
Cattelan, Maurizio, 1960- artist.
Fischer, Urs, 1973- artist.
Fritsch, Katharina, 1956- artist.
Gander, Ryan, artist.
Genzken, Isa, 1948- artist.
Harrison, Rachel, 1966- artist.
Herold, Georg, 1947- artist.
Hirschhorn, Thomas, artist.
Honert, Martin, 1953- artist.
Huyghe, Pierre, 1962- artist.
Koons, Jeff, 1955- artist.
McCarthy, Paul, 1945- artist.
Miller, John, 1954- artist.
Noland, Cady, 1957- artist.
Rondinone, Ugo, 1963- artist.
Schütte, Thomas, 1954- artist.
Shonibare, Yinka, 1962- artist.
Varga Weisz, Paloma, 1966- artist.
Wallinger, Mark, 1959- artist.
Warren, Rebecca, 1965- artist.
Wekua, Andro, 1977- artist.
Wilkes, Cathy, 1966- artist.
Curtis, Penelope, author.
Hayward Gallery, host institution.
ISBN:9781853323225
1853323225
Notes:"Published on the occasion of the exhibition 'The Human Factor: The Figure in Contemporary Sculpture', Hayward Gallery, London, 17 June - 7 September 2014."
Artists: Paweł Althamer, Frank Benson, Huma Bhabha, Maurizio Cattelan, Urs Fischer, Katharina Fritsch, Ryan Gander, Isa Genzken, Rachel Harrison, Georg Herold, Thomas Hirschhorn, Martin Honert, Pierre Huyghe, Jeff Koons, Paul McCarthy, John Miller, Cady Noland, Ugo Rondinone, Thomas Schütte, Yinka Shonibare MBE, Paloma Varga Weisz, Mark Wallinger, Rebecca Warren, Andro Wekua, and Cathy Wilkes.
Includes bibliographical references.
Summary:'The Human Factor: the Figure in Contemporary Sculpture' brings together the work of 25 leading international artists, in whose practice the human form plays a central role. Over the past 25 years, artists have reinvented figurative sculpture by looking back to earlier movements in art history as well as imagery from contemporary culture. Setting up dialogues with modernist as well as classical and archaic models of art, these artists engage and confront the question of how we represent the 'human' today. Eschewing concerns related to psychological portraiture, these artists use the figure as a catalyst for evoking far-ranging content, including subjects spanning political violence and mortality to sexuality and voyeurism. A unique survey of figurative sculpture today, this highly illustrated volume features newly-commissioned essays by authors including Tate Britain Director, Penelope Curtis, art critic and writer Martin Herbert, Artangel co-director James Lingwood, art historian Lisa Lee and Hayward Gallery Director, and curator of the exhibition, Ralph Rugoff. Alongside full-colour images of the artists' works, the book also includes original and rarely-seen material documenting the creation of these fascinating works.--Publisher.
Review by Choice Review

This catalogue is the result of a 2014 exhibition at the Hayward Gallery in London. Edited by the gallery director, Rugoff, it highlights figurative sculpture created over the past 25 years. The artwork presented is a product of a provocative group of 25 international artists. Each artist in the exhibition presents the human form in a unique manner and speaks to viewers with a very individualized voice. The unifying factor among the artists showcased within the exhibition is that all use the human form, not as a subject for study but as an entrance to addressing contemporary social and cultural constructs. The high-quality images of the artwork allow readers to adequately envision the artwork, and the catalogue includes detailed explanations of the artwork and each artist's creative process. It also has such resources as insights into the artists' processes through reproductions of preliminary sketches and an extensive list of works in the appendix. This catalogue will be a useful resource for artists and art historians of various levels who are interested in how the traditional use of the human form in sculpture has evolved in current years. Summing Up: Recommended. Lower-division undergraduate collections and above. --Amy E. Handfield, Manhattan College

Copyright American Library Association, used with permission.
Review by Choice Review