Nam June Paik : becoming robot /

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Bibliographic Details
Author / Creator:Paik, Nam June, 1932-2006, artist.
Imprint:New York, NY : Asia Society Museum, 2014.
New Haven : Distributed by Yale University Press, [date of distribution not identified]
Description:189 pages : illustrations (chiefly color) ; 27 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10110730
Hidden Bibliographic Details
Varying Form of Title:Becoming robot
Other authors / contributors:Chiu, Melissa, editor.
Yun, Michelle, editor.
Asia Society. Museum, host institution.
ISBN:9780300209211
0300209215
Notes:"Published on the occasion of the exhibition 'Nam June Paik : Becoming Robot" organized by Asia Society Museum, September 5, 2014-January 4, 2015"--Colophon.
Includes bibliographical references (page 179) and index.
Summary:This new, fully illustrated catalog on the celebrated progenitor of video art, Nam June Paik (1932-2006), brings together a host of scholars, artists and Paik's own collaborators to illuminate the work of this innovative artist. An essay by curator Michelle Yun takes readers through Paik's highly original career, providing insight into his radical and witty experiments with technology, especially in relation to the body, which he viewed as vital platforms for the future of art, science and education. Scholars David Joselit and John Maeda contribute texts examining the artist's interest in new media and popular culture. A roundtable discussion with three of Paik's own artistic collaborators, and contemporary artists' statements shed light on the collaborative process and Paik's enduring influence on artistic practice today. Drawing on the newly established Nam June Paik Archive at the Smithsonian American Art Museum, this catalogue also features never-before published primary sources that highlight Paik's prescient attitude towards the integration of increasingly indispensable technologies into modern life.
Review by Choice Review

Nam June Paik (1932-2006) has long been recognized as a critically important figure in the development of video art; this catalogue rightly extends his legacy to include what is now called new media. Essays in the catalogue reframe Paik's contribution, first, by revealing a number of predictions the artist made about the future only now realized with the ubiquitous nature of cyberspace and, second, by subtly shifting the discussion of his work from specifically rooted in video to an emphasis instead on the artist's blurring of boundaries (between media and the body; between performance art and video; between popular culture and fine art). The time line included at the conclusion of the book assists in this enterprise. The frame is completed by the inclusion of reflections on his contribution by contemporary artists (including Kenzo Digital, John Godfrey, John Maeda, Bill Viola, and Yoko Ono) and a conversation among Paik's nephew and two of the artist's former studio managers. This catalogue makes a substantial scholarly contribution, due less to these reflective pieces than to the large number of preparatory sketches and original documents it reproduces, notably typescripts with Paik's handwritten notes. Summing Up: Recommended. All readership levels. --Elizabeth K. Mix, Butler University

Copyright American Library Association, used with permission.
Review by Choice Review