When the future disappears : the modernist imagination in late colonial Korea /

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Bibliographic Details
Author / Creator:Poole, Janet, author.
Imprint:New York : Columbia University Press, [2014]
Description:xi, 286 pages ; 24 cm.
Language:English
Series:Studies of the Weatherhead East Asian Institute, Columbia University
Studies of the Weatherhead East Asian Institute, Columbia University.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10113863
Hidden Bibliographic Details
Varying Form of Title:Modernist imagination in late colonial Korea
ISBN:9780231165181
0231165188
9780231538558
Notes:Includes bibliographical references and index.
Summary:Taking a panoramic view of Korea's dynamic literary production in the final decade of Japanese rule, When the Future Disappears locates the imprint of a new temporal sense in Korean modernism: the impression of time interrupted, with no promise of a future. As colonial subjects of an empire headed toward total war, Korean writers in this global fascist moment produced some of the most sophisticated writings of twentieth-century modernism. Yi T'aejun, Ch'oe Myongik, Im Hwa, So Insik, Ch'oe Chaeso, Pak T'aewon, Kim Namch'on, and O Changhwan, among other Korean writers, lived through a rare colonial history in which their vernacular language was first inducted into the modern, only to be shut out again through the violence of state power. The colonial suppression of Korean-language publications was an effort to mobilize toward war, and it forced Korean writers to face the loss of their letters and devise new, creative forms of expression. Their remarkable struggle reflects the stark foreclosure at the heart of the modern colonial experience. Straddling cultural, intellectual, and literary history, this book maps the different strategies, including abstraction, irony, paradox, and even silence, that Korean writers used to narrate life within the Japanese empire. -- Jacket.
Standard no.:40024181760
Review by Choice Review

Poole's elegantly written, well-researched book deals with the politically complex and intellectually tangled cultural history of late colonial Korea, i.e., from the late 1930s to 1945. Although her interrogation of the modernist aesthetic in Korea revolves around a small number of works, Poole (Korean literature and cultural history, Univ. of Toronto) explores, through an innovative and detailed examination, significant ways in which Korean writers negotiated Japanese rule and so created a remarkable literature of image and silence. She examines the linguistic vitality and experiment central to modernism through the prism of the initial promotion and subsequent suppression of the Korean language, and she skillfully addresses the complex subject of cultural fascism and the controversial work of Choe Chaeso and Kim Namch'on. The extensive annotations are illuminating and the bibliography is comprehensive. Whereas most readers might be familiar already with the works discussed, the bibliography will be invaluable to those unfamiliar with the literature of this period. An excellent resource for anyone interested in Korean colonial history and literary studies and/or comparative and Asian literature. Summing Up: Highly recommended. Graduate students, researchers, faculty. --Simon Wickhamsmith, Rutgers University

Copyright American Library Association, used with permission.
Review by Choice Review