Repositioning Pacific arts : artists, objects, histories : proceedings of the VII International Symposium of the Pacific Arts Association, Christchurch, New Zealand /

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Bibliographic Details
Imprint:Canon Pyon : Sean Kingston Publishing, 2014.
Description:170 pages : illustrations (chiefly color), maps ; 29 cm
Language:English
Subject:
Format: Map Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10126124
Hidden Bibliographic Details
Other authors / contributors:Allen, Anne E., editor.
Waite, Deborah, editor.
Pacific Arts Association (1974- ). International Symposium (7th : 2003 : Christchurch, New Zealand)
ISBN:9781907774232
1907774238
Notes:Symposium held June 23-26, 2003.
Includes bibliographical references.
Summary:In investigating both customary and Modern Pacific art, these collected essays present a wide-ranging view across time and space, taking the reader from antiquities to contemporary art an travelling across the region from Australia, Papua New Guinea, Solomon Island, New Zealand to Samoa. Studies of artefacts and traditions, such as self-portraiture, wood carvings, shields, tapa, dance and masks, use a variety of approaches, some deriving from museum studies while others are based on field investigation. Together they reveal the oppositional tensions between tradition and innovation, and the inspiration this provides for contemporary artistic practice, either through conscious implementation or through rejection of past definitions.
Review by Choice Review

Repositioning Pacific Arts is the definitive book about Oceanic art, both prehistoric and present. This volume brings together the wide-ranging views of artists, curators, and academics, including Maori and other islanders, some of which were first presented at the VII International Symposium of the Pacific Arts Association held in New Zealand in 2003. This conference encouraged greater participation of indigenous peoples, allowing for a much more authentic interpretation of the various works included. The introductory essay provides a platform for the "recycling" of traditions of art forms in this region of the world, a phenomenon that is not unique to the Oceanic region. Indigenous peoples the world over are creating a "recycling" of art forms and styles. Recycling may not be the best term, it is more of an honoring of tradition by creating works in the styles and ways of the elders; nevertheless, this fact does not detract from a very thorough and well-researched book on the subject. Numerous illustrations, color and black and white, enhance the presentation, as does the oversize format. A worthwhile purchase, although an expensive one, for any art library collection, as materials on this subject are limited. Summing Up: Recommended. Upper-division undergraduate, graduate, research, and professional collections. --Anne Wirkkala, NHTI, Concord's Community College

Copyright American Library Association, used with permission.
Review by Choice Review