Background noise : perspectives on sound art /
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| Author / Creator: | LaBelle, Brandon, author. |
|---|---|
| Edition: | Second edition. |
| Imprint: | New York, NY : Bloomsbury Academic, 2015. |
| Description: | xx, 351 pages ; 23 cm |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10142156 |
Table of Contents:
- Preface to the Second Edition
- Introduction: Auditory Relations
- Fade In
- Part 1. 4'33": Sound and Points of Origin
- Introduction to Part 1
- Chapter 1. Sociality of Sound: John Cage and Musical Concepts
- Chapter 2. Exposing the Sound Object: Musique Concrete's Sonic Research
- Chapter 3. Automatic Music: Group Ongaku's Performative Labors
- Part 2. Box with the Sound of Its Own Making: From Gags to Sculptural Form
- Introduction to Part 2
- Chapter 4. Rhythms of Chaos: Happenings, Environments, and Fluxus
- Chapter 5. Minimalist Treatments: La Monte Young and Robert Morris
- Chapter 6. Conceptualizations: Michael Asher and the Subject of Space
- Part 3. I Am Sitting in a Room: Vocal Intensities
- Introduction to Part 3
- Chapter 7. Performing Desire/Performing Fear: Vito Acconci and the Power Plays of Voice
- Chapter 8. Finding Oneself: Alvin Lucier and the Phenomenal Voice
- Chapter 9. Word of Mouth: Christof Migone's Little Manias
- Part 4. Public Supply: Buildings, Constructions, and Locational Listening
- Introduction to Part 4
- Chapter 10. Tuning Space: Max Neuhaus and Site-Specific Sound
- Chapter 11. Other Architectures: Michael Brewster, Maryanne Amacher, and Bernhard Leitner
- Chapter 12. Composing Intensities: Iannis Xenakis's Multi-media Architectures
- Part 5. Soundmarks: Environments and Aural Geography
- Introduction to Part 5
- Chapter 13. Seeking Ursound: Hildegard Westerkamp, Steve Peters, and the Soundscape
- Chapter 14. Language Games: Yasunao Tone and the Mechanics of Information
- Chapter 15. Complicating Place: Bill Fontana and Networking the Soundscape
- Part 6. Global Strings: Interpersonal and Network Space
- Introduction to Part 6
- Chapter 16. Interactions: Achim Wollscheid's Production of the Local
- Chapter 17. Global Events: Atau Tanaka and Network as Instrument
- Chapter 18. Live Streams: Apo33 and Multiplying Place
- Fade Out
- Conclusion: Auditive Pivot
- Appendix: Peripheries-Subnature, Phantom Memory, and Dirty Listening
- Bibliography
- Index
