Art of Renaissance Venice 1400-1600 /

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Bibliographic Details
Author / Creator:Partridge, Loren W., author.
Imprint:Oakland, California : University of California Press, [2015]
Description:xxiii, 347 pages ; 22 x 27 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10156329
Hidden Bibliographic Details
ISBN:9780520281790
0520281799
9780520281806
0520281802
Notes:"Ahmanson Murphy fine arts imprint"
Includes bibliographical references and index.
Summary:"A comprehensive and richly illustrated survey of Venetian Renaissance architecture, sculpture, and painting created between 1400 and 1600 addressed to students, travellers, and the general public. The works of art are analysed within Venice's cultural circumstances--political, economic, intellectual, and religious--and in terms of function, style, iconography, patronage, classical sources, gender, art theories, and artist's innovations, rivalries, and social status. The text has been divided into two parts--the fifteenth century and the sixteenth century--each part preceded by an introduction that recounts the history of Venice to 1500 and to 1600 respectively, including the city's founding, ideology, territorial expansion, social classes, governmental structure, economy, and religion. The twenty-six chapters have been organized to lead readers systematically through the major artistic developments within the three principal categories of art--governmental, ecclesiastic, and domestic--and have been arranged sequentially as follows: civic architecture and urbanism, churches, church decoration (ducal tombs and altarpieces), refectories and refectory decoration (section two only), confraternities (architecture and decoration), palaces, palace decoration (devotional works, portraits, secular painting, and halls of state), villas, and villa decoration. The conclusion offers an overview of the major types of Venetian art and architectural patronage and their funding sources"--Provided by publisher.
Review by Choice Review

This delightful and convenient volume contributes to an overlooked area of study, being a rich and readable introduction to Venetian art and architecture during its most vital centuries. The well-respected author achieves an admirable balance between history and art history, as well as between detail and sweep, writing text that readers of various levels of expertise will find engaging. Beautifully illustrated and attractively designed, this thoughtful and informative, never bombastic chronicle leads to a balanced conclusion, an essay on the importance of Venetian patronage to the accomplishments of its artists. The organization is chronological, with the first half devoted to the 15th century (e.g., churches, tombs, freestanding sculpture, altarpieces, confraternities, palaces, non-narrative devotional paintings, narrative devotional paintings, and portraits--male and female) and 16th century (similarly arranged according to civic function, and within that, by artist). The treatment of villas of the Veneto includes predecessors of Palladio. Time lines, glossary, bibliography, and index assist readers of various levels of preparation and curiosity (though there is no pretense to full scholarly apparatus). A valuable contribution and a model piece of art historical synthesis, the text is as well written as the project is deftly conceived. Summing Up: Highly recommended. All readership levels. --Patricia Emison, University of New Hampshire

Copyright American Library Association, used with permission.
Review by Choice Review