Striking beauty : a philosophical look at the Asian martial arts /

A significant contribution to comparative philosophy, Allen's Striking Beauty is a focused investigation of the intersection of Asian martial arts, the philosophical traditions surrounding them, and Western philosophy. The strong Platonic underscoring of Allen's characterization of Western philosophy fits well with his thesis but at times seems painted with a broad brush. However, his assertion that, as a whole, Western philosophy's dualism pits the body against the mind far more than Asian thought does is accurate. Allen (philosophy, McMaster Univ., Canada) explicates the relationship martial arts have had historically with Asian philosophy, drawing out the complicated role violence plays. Allen neatly delineates martial arts from both the arts (dance and so on) and sports (athletics), explaining that martial arts alone have a "commitment to an instrumental value external to the practice." This allows for understanding the core of martial arts as a way of "self cultivation," a position that dovetails nicely with the rich comparative philosophical discussion. As close to an apologetics for martial arts and Asian philosophy as exists, this book is invaluable, and the comparison with Western (rationalistic/dualistic) philosophy begins an important discussion in this specialized area. Summing Up: Highly recommended. Lower-division undergraduates and above. --Stephen J. Shaw, Antioch University Midwest

According to this fascinating, challenging treatise from McMaster University philosophy professor Allen (Vanishing into Things: Knowledge in Chinese Tradition), the uninitiated often see Asian martial arts as nothing more than a mix of sport and combat, but there is also a great deal of beauty in the discipline. Allen, himself trained in kung fu, wushu, taijiquan, wing chun, karate, and hapkido, attempts to unravel the central paradox of martial arts-that they are imbued with both beauty and violence. He begins with quotes from ancient Chinese texts, tracing the growth of martial arts alongside the ideas and practices of Taoism, Buddhism, and Confucianism. He contrasts these systems of belief with the philosophy of the ancient Greeks, in particular the mind-body divide. Allen then compares the aesthetics of martial arts to dance, drawing the distinction that dance is endotelic ("actions that contain their end in their doing"), while martial arts, originally designed for violence, can be performed without it. In his final chapter, Allen ruminates on the place of violence in civilization, asking whether it truly possesses what Yeats called "a terrible beauty," and ultimately concluding that the essential value of martial arts lies outside their function in combat. He acknowledges that his book may be more approachable for "philosophers curious about the martial arts than... martial arts practitioners seeking a philosophy of their practice." Allen's inquiry is certainly esoteric enough that outsiders will be unlikely to fully appreciate it. (Aug.) © Copyright PWxyz, LLC. All rights reserved.