Doing women's film history : reframing cinemas, past and future /

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Bibliographic Details
Imprint:Urbana : University of Illinois Press, [2015]
Description:278 pages : illustrations ; 23 cm.
Language:English
Series:Women and film history international
Women and film history international.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10372901
Hidden Bibliographic Details
Other authors / contributors:Gledhill, Christine, editor.
Knight, Julia, editor.
ISBN:9780252039683
0252039688
9780252081187
0252081188
9780252097775
Notes:Includes bibliographical references and index.
Summary:"Distinguished scholars Christina Gledhill and Julia Knight's anthology shows women's work in and around cinema across time in different parts of the world, from pioneering days, through recent developments, pointing towards future modes of production and history writing. At the same time, given the very different historical, socioeconomic, political, and cultural conditions of the cinemas in view, these essays concentrate on key historiographic questions. They include how to identify women's participation in their cinema cultures, where to locate previously unconsidered sources of evidence, how to develop new research methodologies and analytical concepts capable of revealing the impact of gender on film production and reception, and how to reframe film history to accommodate such questions and approaches. If what unifies the range of essays consists of their central focus on women and gender, thereby decentralizing American cinema in film history, it is not the intention to fragment cinemas into discrete national boxes. Instead, analysis of different geopolitical and historical circumstances of women's involvement in different cinemas enable us to better understand the complexity and diversity of that involvement and therefore of cinema itself"--
Review by Choice Review

Most of the 17 essays in this collection emanate from a 2011 conference by the same title, held at the University of Sunderland, UK, under the auspices of the Women's Film and Television History Network (WFTHN). A few essays deal with well-known figures from film history--Alice Guy, Natalie Kalmus, Kathryn Bigelow--but the majority aim at bringing less-known women into the light. Some of the entries are more speculative than substantive, but most are interesting and informative. This reviewer particularly liked the contributions by Rashmi Sawhney, who writes on women making film in some of India's minority languages; Canan Balan and Eylem Atakav, both of whom write on women in Turkish film; Karina Aveyard, who looks at women filmmakers in rural Australia; Giuliana Muscio, who examines American women screenwriters of the 1920s; and Kay Armatage, who presents an eye-opening discussion of Barbara Willis Sweete, who directs many of the Live from the Met broadcasts. But this reviewer's favorite essay is Luke McKernan's piece on Mary Murillo: it is a model of how to research the life of someone who was not only little known but also moved about from country to country. The WFTHN plans another conference in 2016. Good news. Summing Up: Recommended. Lower-division undergraduates through faculty; general readers. --William A. Vincent, Michigan State University

Copyright American Library Association, used with permission.
Review by Choice Review