Transmedia Frictions : The Digital, the Arts, and the Humanities.
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| Author / Creator: | Kinder, Marsha. |
|---|---|
| Imprint: | Berkeley : University of California Press, 2014. |
| Description: | 1 online resource (415 pages) |
| Language: | English |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10383070 |
Table of Contents:
- Cover; TRANSMEDIA FRICTIONS; Title; Copyright; Dedication; CONTENTS; Acknowledgments; Preface: Origins, Agents, and Alternative Archaeologies; PART I. MEDIUM SPECIFICITY AND PRODUCTIVE PRECURSORS; Medium Specificity and Productive Precursors: An Introduction; Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis; Postmedia Aesthetics; If-Then-Else: Memory and the Path Not Taken; Cyberspace and Its Precursors: Lintsbach, Warburg, Eisenstein; Past Indiscretions: Digital Archives and Recombinant History; Films Beget Digital Media; Navigating the Ocean of Streams of Story
- Is This Not a Screen? Notes on the Mobile Phone and CinemaPART II. DIGITAL POSSIBILITIES AND THE REIMAGINING OF POLITICS, PLACE, AND THE SELF; Digital Possibilities and the Reimagining of Politics, Place, and the Self: An Introduction; Transnational/National Digital Imaginaries; Is (Cyber) Space the Place?; Linkages: Political Topography and Networked Topology; The Database City: The Digital Possessive and Hollywood Boulevard; Cuba, Cyberculture, and the Exile Discourse; Thinking Digitally/Acting Locally: Interactive Narrative, Neighborhood Soil, and La Cosecha Nuestra Community
- Video Installation Art as Uncanny Shock, or How Bruce Nauman's Corridors Expand Sensory LifeBraingirls and Fleshmonsters; Tech-illa Sunrise (.txt con Sangrita); Works Cited; Index