Dominique Gonzalez-Foerster : 1887-2058 /
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Author / Creator: | Gonzalez-Foerster, Dominique, 1965- artist. |
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Imprint: | Paris : Centre Pompidou, 2015. |
Description: | 223 pages : illustrations (chiefly color) ; 34 cm |
Language: | French |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10384257 |
Varying Form of Title: | 1887-2058 |
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Other authors / contributors: | Lavigne, Emma, curator, editor. Bera, Tristan, contributor. Centre Georges Pompidou, host institution, issuing body. |
ISBN: | 9782844267016 2844267017 |
Notes: | "Ouvrage publié à l'occasion de l'exposition présentée au Centre Pompidou, Galerie sud, du 23 septembre 2015 au 1er février 2016." With contributions by Tristan Bera [and 6 others]. Includes bibliographical references (pages 216-220) and filmography (page 221). |
Summary: | Dominique Gonzalez-Foerster, 1887-2058 displays an 'open' timeline from 1887 to 2058, and extends the idea of the retrospective by combining different centuries and climates. The exhibition begins in the late 19th century; journeys through the experiments of the 20th century, and projects viewers into landscapes and interiors in turn desert - like or tropical, biographical or dystopian. This combination of parallel realities and stage sets - where the genres of landscape, portrait and period rooms co-exist - becomes a fictional house with numerous entrances, constructed so that viewers experience the sensations of outdoor and indoor, ideas of identity and fiction, the present moment and a journey through time. Sometimes stage, sometimes playground and sometimes introspective narratives, the rooms, films and appearances of Dominique Gonzalez-Foerster are anchored in living memories of cinema, literature and the open structures of architecture and music: all ways of exploring the limits of the possible in art. Like an opera or a musical, the exhibition brings to life all kinds of cinematographic, literary and scientific presences, to create a world inhabited by sensations, stories and quotations. The exhibition is an identification of the artist, the work and the viewer all at once. |
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