| Summary: | The mission of this book is to unite, through your pages, all the paths that make the art and show both its performance and its communication force. In the circle that makes the work of art is involved, with the artist, the critic, who is linking languages ??and trends, reading them as if they were villages or towns to visit. In this edition they collaborate with their thinking different personalities, which has always placed the sensitive side of the artist. Thus, Daniel Perez learned to write at one point: "There are countless ways to contain the quiet desperation that slumbers in the depths of the human heart, but art seems to be the most conducive to the hungry spirits." Daniel Perez is also an artist and knows close inner satisfaction that causes frequenting the artworks. From another location, formed in the career of History of Art at the University of Buenos Aires, Ana proposes Piazek out as elite art and democratize its significance. He wrote: "Today we hear some debates in academic circles can be disappointing. Many people still think the "work of art" as that which has demanded many hours of work so that the object can be perceived a "fair result". The guardians of art as elite refuse to accept that being an artist or do a work of art does not necessarily mean divine or exceptional qualities, ie, comprising a right available to everyone. "One way to think real and contemporary, far away of the nineteenth-century theories that still invade the art. Rosa path Faccaro in the Argentine critical thinking is whole and proba, and their texts are present in books and catalogs of the leading Argentine teachers. At one point he wrote: "If we think that artistic disciplines in the field of visual arts were ordered in the last century in separate fields, will be at this time of the third millennium where a multidisciplinary integration is recorded. In the field of visual rather than to note that it is not possible to fence off normatively art arts has seen the need to grant freedom to sue the creators to make their own expressions to determine their artistic or aesthetic merit. ".
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