Mei jing xuan xin : Wei Jin Nan Bei chao shan shui shen mei zhi kong jian xing yan jiu /
美境玄心 : 魏晋南北朝山水审美之空间性研究 /
Saved in:
| Author / Creator: | Liu, Jie, author. 刘洁, author. |
|---|---|
| Edition: | Di 1 ban. 第1版. |
| Imprint: | Beijing : Zhongguo she hui ke xue chu ban she, 2016. 北京 : 中国社会科学出版社, 2016. |
| Description: | 4, 2, 227 pages ; 24 cm |
| Language: | Chinese |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10539643 |
MARC
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| 020 | |a 9787516173121 : |c RMBY56.00 | ||
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| 035 | |a (OCoLC)945190689 | ||
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| 100 | 1 | |6 880-01 |a Liu, Jie, |e author. |0 http://id.loc.gov/authorities/names/n85361156 |1 http://viaf.org/viaf/113505871 | |
| 245 | 1 | 0 | |6 880-02 |a Mei jing xuan xin : |b Wei Jin Nan Bei chao shan shui shen mei zhi kong jian xing yan jiu / |c Liu Jie zhu. |
| 246 | 3 | 0 | |6 880-03 |a Wei Jin Nan Bei chao shan shui shen mei zhi kong jian xing yan jiu |
| 250 | |6 880-04 |a Di 1 ban. | ||
| 264 | 1 | |6 880-05 |a Beijing : |b Zhongguo she hui ke xue chu ban she, |c 2016. | |
| 300 | |a 4, 2, 227 pages ; |c 24 cm | ||
| 336 | |a text |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
| 337 | |a unmediated |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/n | ||
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| 504 | |a Includes bibliographical references. | ||
| 650 | 0 | |a Aesthetics, Chinese |x History |y 220-589. | |
| 650 | 7 | |a Aesthetics, Chinese. |2 fast |0 http://id.worldcat.org/fast/fst00798761 | |
| 648 | 7 | |a 220-589 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 http://id.worldcat.org/fast/fst01411628 | |
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| 880 | 1 | |6 100-01 |a 刘洁, |e author. |0 http://id.loc.gov/authorities/names/n85361156 | |
| 880 | 1 | 0 | |6 245-02 |a 美境玄心 : |b 魏晋南北朝山水审美之空间性研究 / |c 刘洁著. |
| 880 | 3 | 0 | |6 246-03 |a 魏晋南北朝山水审美之空间性研究 |
| 880 | |6 250-04 |a 第1版. | ||
| 880 | 1 | |6 264-05 |a 北京 : |b 中国社会科学出版社, |c 2016. | |
| 880 | |6 520-00 |a 本书是对中国魏晋南北朝时期的山水审美经验及其美学思想的专门研究.作者从一个全新的'空间性'视角来阐释那一时代中国人在自然审美经验上的独特性以及它在民族审美文化形成过程中的重要价值.作者通过对大量历史文献的考察与分析,发现山水不仅是作为审美对象,而且是作为多层次的审美空间为魏晋南北朝山水审美经验者所自觉建构.山水首先是身体化的处境空间,其次是灵性化的超越空间,进而是意象化的呈现空间. | ||
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