Industry and intelligence : contemporary art since 1820 /
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| Author / Creator: | Gillick, Liam, 1964- author. |
|---|---|
| Uniform title: | Works. Selections |
| Imprint: | New York : Columbia University Press, [2016] ©2016 |
| Description: | xv, 140 pages, 50 unnumbered pages of plates ; 21 cm. |
| Language: | English |
| Series: | Bampton lectures in America Bampton lectures in America. |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10650064 |
Table of Contents:
- Acknowledgments
- Introduction: Creative Disruption in the Age of Soft Revolutions
- 1. Contemporary Art Does Not Account for That Which Is Taking Place
- 2. Projection and Parallelism
- 3. Art as a Pile: Split and Fragmented Simultaneously
- 4. 1820: Erasmus and Upheaval
- 5. ASAP Futures, Not Infinite Future
- 6. 194S: B. F. Skinner and Counter-Revolution
- 7. Abstract
- 8. 1963: Herman Kahn and Projection
- 9. The Complete Curator
- 10. Maybe It Would Be Better If We Worked in Groups of Three?
- 11. The Return of the Border
- 12. 1974: Volvo and the Mise-en-Scène
- 13. The Experimental Factory
- 14. Nostalgia for the Group
- 15. Why Work?
- Notes
- Index