Imagining spectatorship : from the mysteries to the Shakespearean stage /
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Author / Creator: | McGavin, John J., 1950- author. |
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Edition: | First edition. |
Imprint: | Oxford : Oxford University Press, 2016. |
Description: | viii, 208 pages ; 21 cm. |
Language: | English |
Series: | Oxford textual perspectives Oxford textual perspectives. |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10805872 |
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003 | ICU | ||
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020 | |a 9780198768616 |q (hbk.) | ||
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050 | 0 | 0 | |a PR658.A88 |b M34 2016 |
082 | 0 | 4 | |a 822.209 |2 23 |
049 | |a CGUA | ||
100 | 1 | |a McGavin, John J., |d 1950- |e author. |0 http://id.loc.gov/authorities/names/n99259998 |1 http://viaf.org/viaf/59422920 | |
245 | 1 | 0 | |a Imagining spectatorship : |b from the mysteries to the Shakespearean stage / |c John J. McGavin and Greg Walker. |
250 | |a First edition. | ||
264 | 1 | |a Oxford : |b Oxford University Press, |c 2016. | |
300 | |a viii, 208 pages ; |c 21 cm. | ||
336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
337 | |a unmediated |b n |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/n | ||
338 | |a volume |b nc |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/nc | ||
490 | 1 | |a Oxford textual perspectives | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | 0 | |g 1. |t Spectatorial Turn: Witnessing Early English Drama from the York Cycle to Shakespeare -- |g 2. |t Tudor Household Drama: Beyond the Cognitive Turn -- |g Case Studies -- 3. |t Figuring the Spectator: The Entertainments at Carew Castle and Wisdom -- |g 4. |t Staging Revelation: Virtuous and Godly Susanna, John Bale, and the Chester Antichrist -- |g 5. |t Watching The Three Estates. |
520 | |a "Imagining Spectatorship offers a new discussion of how spectators witnessed early drama in the various spaces and places in which those works were performed. It combines broad historical and theoretical reflection with closely analysed case studies to produce a comprehensive account of the ways in which individuals encountered early drama, how they were cued to respond to it, and how we might think about those issues today. The book resists the conventional divide between "medieval" and "early modern" drama, using its focus on the spectators' experience to point connections and continuities across a diverse range of genres, such as processions and tourneys as well as scripted plays, pageants, and interludes; a variety of different venues, such as city streets, great halls, and playhouses, and a period of about 150 years to the Shakespearean stage of the 1590s and 1600s. It seeks to offer routes by which inferences about early spectatorship can be made despite the relative absence of personal testimony from the period"--Provided by publisher. | ||
650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh2008103081 | |
650 | 7 | |a English drama |x Early modern and Elizabethan. |2 fast |0 (OCoLC)fst01710950 | |
648 | 7 | |a 1500-1600 |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
700 | 1 | |a Walker, Greg, |d 1959- |e author. |0 http://id.loc.gov/authorities/names/no2003006417 |1 http://viaf.org/viaf/64036070 | |
830 | 0 | |a Oxford textual perspectives. |0 http://id.loc.gov/authorities/names/no2012126524 | |
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928 | |t Library of Congress classification |a PR658.A88 M34 2016 |l JRL |c JRL-Gen |i 9173812 | ||
927 | |t Library of Congress classification |a PR658.A88 M34 2016 |l JRL |c JRL-Gen |e malo |b 112798466 |i 9619012 |