Cubism, constructivism, form art /
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Imprint: | Munich : Prestel, [2016] ©2016 |
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Description: | 311 pages : illustrations (chiefly color) ; 29 cm |
Language: | English |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10819116 |
Summary: | This volume explores the origins of nonobjective art along the Danube. From the 14th Vienna Secession exhibition in 1902 to the development of Constructivism in the 1920s, art in Austria- Hungary underwent a seismic change that challenged preconceptions, and broke the rules to shake up European Art. Tracing the evolution of art during this time period, this book makes valuable connections between the seemingly disparate Formkunst of Vienna, Cubism in Prague, and Hungarian Constructivism. Focusing on the works of artists such as Josef Hoffmann, Gustav Klimt, Josef Capek, Koloman Moser, Egon Schiele, Frantisk Kupka, Lajos Kassák, and László Moholy- Nagy, and drawing from the latest scholarly research, this book presents a fundamental reinterpretation of turn-of-the-century art as it flourished in the Habsburg Empire. |
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Item Description: | Published to accompany an exhibition of the same name held at the Belvedere, Vienna, from March 10 to June 19, 2016. |
Physical Description: | 311 pages : illustrations (chiefly color) ; 29 cm |
Bibliography: | Includes bibliographical references and index. |
ISBN: | 3791355473 9783791355474 3903114014 9783903114012 9783791355467 9783903114005 |