Deleuze's Cinema books : three introductions to the taxonomy of images /
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| Author / Creator: | Deamer, David, author. |
|---|---|
| Imprint: | Edinburgh : Edinburgh University Press, [2016] ©2016 |
| Description: | xxxv, 360 pages : illustrations (1 color) ; 25 cm |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/10927712 |
Table of Contents:
- Figures and frames
- Acknowledgements
- Abbreviations
- Preface: a Deleuzian cineosis
- Part 1. Unfolding the Cineosis
- Section I. First Introduction - Two Regimes of Images
- 1. Movement-images and time-images: Bergson, image and duration
- 2. Movement-images: Peirce, semiosis
- 3. Time-images: Deleuze, syntheses
- 4. Time-images and movement-images: Bergson, duration and image
- Section II. Second Introduction - A Series of Images and Signs
- 1. Perception-images
- 2. Affection-images
- 3. Impulse-images (the nascent action-image)
- 4. Action-images (small form, action → situation)
- 5. Action-images (large form, situation → action)
- 6. Attraction-images (first reflection-image; sixth mental-image)
- 7. Inversion-images (second reflection-image; fifth mental-image)
- 8. Discourse-images (third reflection-image; fourth mental-image)
- 9. Dream-images (third mental-image)
- 10. Recollection-images (second mental-image)
- 11. Relation-images (first mental-image)
- 12. Opsigns and sonsigns
- 13. Hyalosigns
- 14. Chronosigns
- 15. Noosigns
- 16. Lectosigns
- Afterword to Part One: the unfolded cineosis
- Part 2. Enfolding the Cineosis
- Section III. Third Introduction - Cinematographics (1995-2015)
- 1. Le scaphandre et le papillon/The Diving Bell and the Butterfly. Solid perception
- 2. Timecode. Liquid perception
- 3. Naqoyqatsi. Gaseous perception
- 4. Theeviravaathi/The Terrorist Icon
- 5. Despicable Me, Despicable Me 2 and Minions. Dividual
- 6. Le quattro volte/Four Times. Any-space-whatever
- 7. The Human Centipede (First Sequence). Symptom
- 8. Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2. Fetish
- 9. Innocence. Originary World
- 10. Madeo/Mother. Index of lack
- 11. The Killer Inside Me. Index of equivocity
- 12. Ajami. Vector
- 13. Marxism today (prologue) and untitled. Milieu
- 14. Made in Dagenham. Binomial
- 15. Fish Tank. Imprint
- 16. Tian bian yi duo yun/The Wandering Cloud. Plastic figure
- 17. Scott Pilgrim vs. the World. Theatrical figure
- 18. Source Code. Mise en abyme
- 19. Four Lions. Figure of the sublime
- 20. Slackistan. Figure of enfeeblement
- 21. Un homme qui crie/A Screaming Man. Quotidian
- 22. Monsters. Limit of the large form action-image
- 23. Brooklyn's Finest. Limit of the small form action-image
- 24. Metro Manila. Limit of the action-image
- 25. Star Trek - First Contact. Rich dreams
- 26. The Machinist. Restrained dreams
- 27. Inception. Movement of world
- 28. El secreto de sus ojos/The Secret in Their Eyes. Strong destiny
- 29. White Material. Weak destiny
- 30. Triangle. Forking paths
- 31. Se7e.Mark
- 32. Doctor Who - The Day of the Doctor. Demark
- 33. Buried. Symbol
- 34. Five. Opsigns and sonsigns
- 35. Black Swan, Mirrors face to face
- 36. Self Made. Limpid and opaque
- 37. Synecdoche, New York. Seed and environment
- 38. Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives. Peaks of the present
- 39. Russkiy kovcheg/Russian Ark. Sheets of the past
- 40. Er shi si cheng ji/24 City. Powers of the false
- 41. I'm Not There. Bodies of attitude
- 42. Politist, adjectiv/Police, Adjective. Bodies of gest
- 43. Dogville. Cinema of the brain
- 44. Enter the Void. Lectosigns
- Select Bibliography
- Filmography
- Index
