Thierry De Cordier : iconotextures /

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Bibliographic Details
Author / Creator:Draguet, Michel.
Imprint:Brussel : Koninklijke Musea voor Schone Kunsten van België, 2016.
Description:32 p. : ill. ; 46 cm.
Language:French
Dutch
English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10951315
Hidden Bibliographic Details
Other authors / contributors:Musées royaux des beaux-arts de Belgique.
ISBN:9789077013137
907701313X
Summary:The series 'Iconotextures' consists of twelve works: vast fields of 300 x 150 cm paper where blue ink assembles into a whirlwind. The artists presents a waterfall of text that links to absurdity definitions of God. Both definitions that claim and deny His existence. Oscillating between irony and the sacred, the words become the spiritual material (texture) of an image that, like an icon, materializes the invisible. Through this calligraphy of his own effusion, Thierry De Cordier reflects the absurdity that is the very idea of defining God. His Word turns to flesh. Blue as night, deep as doubt: the testimony of the inherent fragility of human consciousness. Exhibition: Royal Museums of Fine Arts of Belgium, Brussels, Belgium (08.11.2016-22.01.2017).

MARC

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520 8 |a The series 'Iconotextures' consists of twelve works: vast fields of 300 x 150 cm paper where blue ink assembles into a whirlwind. The artists presents a waterfall of text that links to absurdity definitions of God. Both definitions that claim and deny His existence. Oscillating between irony and the sacred, the words become the spiritual material (texture) of an image that, like an icon, materializes the invisible. Through this calligraphy of his own effusion, Thierry De Cordier reflects the absurdity that is the very idea of defining God. His Word turns to flesh. Blue as night, deep as doubt: the testimony of the inherent fragility of human consciousness. Exhibition: Royal Museums of Fine Arts of Belgium, Brussels, Belgium (08.11.2016-22.01.2017). 
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