Lygia Pape : a multitude of forms /

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Bibliographic Details
Author / Creator:Candela, Iria, writer of added commentary.
Imprint:New York : Metropolitan Museum of Art, [2017]
New Haven : Yale University Press.
©2017.
Description:193 pages : illustrations, portraits (chiefly color) ; 28 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11026549
Hidden Bibliographic Details
Varying Form of Title:Multitude of forms
Other authors / contributors:Pape, Lygia, artist.
Ferreira, Glória, writer of added commentary.
Martins, Sérgio B., 1977- writer of added commentary.
Rajchman, John, writer of added commentary.
Metropolitan Museum of Art (New York, N.Y.), organizer, host institution.
ISBN:1588396169
9781588396167
Notes:Catalog of an exhibition at The Metropolitan Museum of Art, New York, from March 21-July 23, 2017.
Includes bibliographical references (pages 186-187) and index.
Summary:An exceptional overview of the experimental, political, and participatory artwork of an important, iconoclastic Latin American artist Lygia Pape (1927-2004) was an influential Brazilian artist and pioneering member of the postwar avant-garde. She worked across an expansive range of media, including painting, drawing, prints, sculpture, film, performance, poetry, and installation, and her art is now exhibited worldwide. This handsome book provides an extensive examination of her lengthy, prolific career. Pape embraced the ideals of Concrete art and geometric abstraction early on, and later was an active participant in the Neo Concrete movement that championed experimentation and chance. During this time, she created participatory works that questioned the space between artist and viewer, as well as the social context of art itself. Featuring essays from art historians in both North and South America, an illustrated chronology, and two previously untranslated interviews with the artist, Lygia Pape is a testament to Pape's lasting importance to the modern art and culture of Latin America and to her position as a major figure of the international avant-garde. Exhibition: The Met Breuer, New York, USA (21.03-23.07.2017).
Review by Choice Review

Lygia Pape (1927-2004) was among Brazil's most gifted 20th-century artists, yet she has been virtually unknown in the US. Lygia Pape: A Multitude of Forms, a 2017 exhibition at the Metropolitan Museum of Art--the museum's first ever devoted to the work of a modern or contemporary artist from Latin America--and the beautifully illustrated, informative catalogue that accompanies it rectify this oversight. Organized by Iria Candela, the museum's curator of Latin American art, the exhibition and publication present Pape's work from its beginnings in the concrete and neo-concrete movements of the 1950s to the more radical, embodied, experiential productions to which those movements gave rise. A friend, colleague, and frequent collaborator of Hélio Oiticica and Lygia Clark, artists much better known in the US if not in Latin America and Europe, Pape created a body of work that ranges from woodcuts to experimental film, and the catalogue's four scholarly yet accessible essays situate that work historically. The volume includes a chronology and two eloquent selections from interviews with Pape. A much-needed and welcome introduction in English to a major artist. Summing Up: Highly recommended. Lower-division undergraduates through faculty. --Eduardo de Jesus Douglas, University of North Carolina--Chapel Hill

Copyright American Library Association, used with permission.
Review by Choice Review