Death, beauty, struggle : untouchable women create the world /

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Bibliographic Details
Author / Creator:Trawick, Margaret, author.
Imprint:Philadelphia : University of Pennsylvania Press, [2017]
Description:xviii, 284 pages ; 24 cm.
Language:English
Series:Contemporary ethnography
Contemporary ethnography.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11053247
Hidden Bibliographic Details
Other authors / contributors:Gold, Ann Grodzins, 1946- writer of foreword.
ISBN:9780812249057
0812249054
Notes:Includes bibliographical references and index.
Summary:Death, Beauty, Struggle" represents a long labor of love and the summation of forty years of Margaret Trawick's groundbreaking research. Centering her gaze on the lowest castes of India, now called Dalits, she describes the experience of women at this precarious level who are still treated as sub-human, sometimes by family members, sometimes by higher-caste men. Their private worlds, however, are full of art; rural Dalit women sing beautiful songs of their own making and tell remarkable narratives of their own lives. Much that Tamil women shared with Trawick is rooted in the passionate attachments and acute wounds generated within families, but these women's voices resonate well beyond individually circumscribed lives. In their songs and life stories they critique social, political, economic, and domestic oppressions. They also incorporate visions of natural beauty and immanent divinity. Trawick presents Tamil women's words as relevant to universal human themes. Trawick's frames of analysis, developed throughout her long career of fieldwork in India, inform her ethnography of expressive culture. The songs and stories of Dalit women were recorded and transcribed, to be translated into lyrical passages in her own work. Trawick demonstrates a conviction that persons without privilege-from the rape victim to the landless laborer-possess both power and agency. Through verbal arts, Dalit women produce not only acute cultural critiques but also astonishing beauty.
Review by Choice Review

Knowledgeable and empathetic, linguistic anthropologist Trawick (Massey Univ., New Zealand) presents songs of untouchable (lowest caste) women in Tamil Nadu, South India, as a pathway to understanding their self-images and concerns. Using song texts recorded mostly in the 1980s, Trawick translates and analyzes linguistic features, references, emotions, and revelations of selfhood. Though she notes that the music of the texts is important in understanding meanings, Trawick fails to include any music. Focusing on laments of sorrow and protest, songs of work and love, and two lengthy story-songs about women who are powerful touchstones for their singers, the book is partly composed of earlier papers, and thus occasionally repetitive. Women's songs, often using improvised texts in structured forms, are pathways into their cultures and provide a window to emotions and cries, heartaches and celebrations, teasing and fury. Unlettered but not unaware, Tamil women express their boundaries and restrictions, their ambitions for themselves and their daughters, their assessment of men and men's behaviors, and the ways they deal with everyday expectations. Ann Gold's substantial foreword delineates the strengths of Trawick's analyses and recognizes the ways in which these women's songs are empowering. Summing Up: Recommended. Upper-division undergraduates and above. --Joan L. Erdman, Columbia College Chicago

Copyright American Library Association, used with permission.
Review by Choice Review