Splendid monarchy : power and pageantry in modern Japan /

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Bibliographic Details
Author / Creator:Fujitani, Takashi.
Imprint:Berkeley : University of California Press, ©1996.
Description:1 online resource (xiv, 305 pages) : illustrations.
Language:English
Series:Twentieth-century Japan ; 6
Twentieth-century Japan ; 6.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11104942
Hidden Bibliographic Details
ISBN:9780520920989
0520920988
0585104387
9780585104386
9780520202375
0520202376
0520202376
0520213718
Notes:Includes bibliographical references (pages 283-296) and index.
Print version record.
Summary:In 1993, Masako Owada captured the world's attention when she agreed to marry Crown Prince Naruhito of Japan. She was widely portrayed as a progressive, Westernized woman about to enter one of the last bastions of traditional Japanese sexism. Crown Prince Naruhito's world was known to be steeped in ancient tradition, and the strictures placed on her were seen as tragic vestiges of the patriarchal past. But in this dramatic departure from accepted assumptions about Japan, T. Fujitani argues that just over a century ago, there was no such thing as an imperial family, imperial family, imperial wedding ceremonies were unheard of, and the image of the emperor as patriarch did not exist. Demonstrating how the trappings of the emperor were imported from nineteenth-century Western courts, he concludes that the Japanese monarchy as we know it is actually an invention of modern times.
Fujitani focuses on public ceremonials and the construction of ritual spaces in the Meiji Period (1868-1912). His work is based on extensive research in Japanese archives and libraries, including the archives of the Imperial Household Agency. To explore the modern transformations of what is often portrayed as the longest continuously reigning monarchy in the world, he focuses on the monarchy's location within a modern regime of power, city planning, the media, and the gendering of politics. Throughout, he presents rare photographs and woodblock prints to trace the image of the emperor from a mysterious figure secluded inside a palanquin to a grand public personage riding in an open carriage in Western military regalia.
Other form:Print version: Fujitani, Takashi. Splendid monarchy. Berkeley : University of California Press, ©1996 0520202376
Review by Choice Review

In this excellent study of imperial pageantry in Meiji Japan (1868-1912), Fujitani shows that the leaders of the modern government deliberately constructed both an emperor-centered national past and a set of imperial ceremonies to commemorate present national accomplishments and thus forged an identity between the common people and the state. In the early Meiji years the emperor left his palace for imperial processions that allowed him to see and be seen by his subjects. From the promulgation of the Constitution in 1889, ceremonies such as funerals, accession rites, wartime victory celebrations, weddings, and wedding anniversaries took place in Tokyo, and journeys to the capital and simultaneous local celebrations created a sense of national "communion." The study, which draws on government documents, personal memoirs, and newspaper accounts, is richly illustrated with woodblock prints, maps, and commemorative postcards. Throughout the book Fujitani addresses the existing English and Japanese historiography and invokes a wide range of theorists, including Foucault and Geertz, to illuminate the Japanese experience of modernity. The sophisticated analysis is nevertheless very readable. General readers; upper-division undergraduates and above. S. A. Hastings Purdue University

Copyright American Library Association, used with permission.
Review by Choice Review