Mexican ballads, Chicano poems : history and influence in Mexican-American social poetry /

Saved in:
Bibliographic Details
Author / Creator:Limón, José Eduardo, author.
Imprint:Berkeley : University of California Press, ©1992.
Description:1 online resource (xii, 219 pages).
Language:English
Series:The New historicism ; 17
New historicism ; 17.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11106695
Hidden Bibliographic Details
ISBN:9780520911871
0520911873
0585119910
9780585119915
9780520068650
0520068653
9780520076334
0520076338
Notes:Includes bibliographical references (pages 201-213) and index.
Print version record.
Summary:Mexican Ballads, Chicano Poems combines literary theory with the personal engagement of a prominent Chicano scholar. Recalling his experiences as a student in Texas, José Limón examines the politically motivated Chicano poetry of the 60s and 70s. He bases his analyses on Harold Bloom's theories of literary influence but takes Bloom into the socio-political realm. Limón shows how Chicano poetry is nourished by the oral tradition of the Mexican corrido, or master ballad, which was a vital part of artistic and political life along the Mexican-U.S. border from 1890 to 1930.Limón's use of Bloom, as well as of Marxist critics Raymond Williams and Fredric Jameson, brings Chicano literature into the arena of contemporary literary theory. By focusing on an important but little-studied poetic tradition, his book challenges our ideas of the American canon and extends the reach of Hispanists and folklorists as well.
Other form:Print version: Limón, José Eduardo. Mexican ballads, Chicano poems. Berkeley : University of California Press, ©1992 0520068653
Table of Contents:
  • pt. 1. Politics, Poetics, and the Residual Precursors, 1848-1958. 1. Borders, Bullets, and Ballads: The Social Making of a Master Poem. 2. Américo Paredes, Tradition, and the First Ephebe: A Poetic Meditation on the Epic Corrido. 3. With His Pistol in His Hand: The Essay as Strong Sociological Poem
  • pt. 2. Social Conflict, Emergent Poetry, and the New Ephebes. 4. Chicano Poetry and Politics: The Later Recognition of the Precursor. 5. My Old Man's Ballad: José Montoya and the Power Beyond. 6. The Daemonizing Epic: Rodolfo "Corky" Gonzales and the Poetics of Chicano Rebellion. 7. Juan Gómez-Quiñones: The Historian in the Poet and the Poetic Form of Androgyny
  • App A. Harold Bloom: An Exposition and Left Critique
  • App B. Juan Gomez-Quinones, "Canto al Trabajador"
  • App C. Juan Gómez-Quiñones, "The Ballad of Billy Rivera.