Dimensions of creativity /

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Bibliographic Details
Edition:First MIT Press papterback edition.
Imprint:Cambridge, Massachusetts : MIT Press, 1996.
©1994
Description:1 online resource : illustrations
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11109154
Hidden Bibliographic Details
Other authors / contributors:Boden, Margaret A., editor.
ISBN:9780262268868
0262268868
0585003467
9780585003467
9780262023689
0262023687
0262522195
0262023687
Notes:"A Bradford book."
Includes bibliographical references and index.
Online resource; title from digital title page (viewed on January 28, 2019).
Summary:Annotation Dimensions of Creativity brings together original articles that draw on a range of disciplines -- from the history and sociology of science, psychology, philosophy, and artificial intelligence -- to ask how creative ideas arise, and whether creativity can be objectively defined and measured. Margaret Boden and her colleagues Simon Schaffer, Gerd Gigerenzer, David N. Perkins, Howard Gardner, Colin Martindale, and Hans J. Eysenck demonstrate that creativity requires not only challenging new ideas but their acceptance by some relevant social group. Although some new ideas can arise as novel associations, others are generated by exploiting structural features of an existing conceptual space. Strong motivations often drive the creators and those who evaluate and perpetuate their work. The seven essays -- although very different -- are complementary. The book can serve as an up-to-date introduction to the study of creativity in various disciplines. The many references provide a way into the relevant literature. A Bradford Book.
Other form:Print version: Dimensions of creativity. Cambridge, Mass. : MIT Press, ©1994 0262522195
Review by Choice Review

Boden and colleagues (e.g., Colin Martindale, Hans J. Eysenck) have contributed eight essays to this book that not only illustrate the many facets of the complex phenomenon of creativity but expand and deepen them. Whether addressing the social aspects of creativity, its origins, its descriptions, or its measurement, the authors deemphasize the notion that, in the typical creative act, a single person makes a momentous discovery or has an insight that leads to the instantaneous solution of a problem. Rather, they provide a plethora of examples demonstrating the historical precursors of something termed "creative" as well as the necessity for a community to value an idea, process, or product if it is to be recognized, preserved, and communicated. Furthermore, what contemporary investigators consider "creative" often depends on the methods used to measure it; nevertheless, measurement is no substitute for an understanding of mechanisms and processes. Of all the definitions offered in this excellent volume, perhaps Howard Gardner's is the most useful, emphasizing the solution of problems, the fashioning of products, or the posing of new questions in a way that is initially considered unusual but is eventually accepted by a cultural group. Upper-division undergraduate through professional. S. Krippner; Saybrook Institute

Copyright American Library Association, used with permission.
Review by Choice Review