Women travel writers and the language of aesthetics, 1716-1818 /

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Bibliographic Details
Author / Creator:Bohls, Elizabeth A.
Imprint:Cambridge ; New York : Cambridge University Press, 1995.
Description:1 online resource (x, 309 pages) : illustrations
Language:English
Series:Cambridge studies in Romanticism ; 13
Cambridge studies in Romanticism ; 13.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11110731
Hidden Bibliographic Details
ISBN:0585268665
9780585268668
0521474582
Notes:Includes bibliographical references (pages 291-305) and index.
Print version record.
Summary:British readers of the eighteenth and early nineteenth centuries eagerly consumed books of travels in an age of imperial expansion that was also the formative period of modern aesthetics. Beauty, sublimity, sensuous surfaces, and scenic views became conventions of travel writing as Britons applied familiar terms to unfamiliar places around the globe. The social logic of aesthetics, argues Elizabeth Bohls, constructed women, the laboring classes, and non-Europeans as foils against which to define the "man of taste" as an educated, property-owning gentleman. Women writers from Mary Wortley Montagu to Mary Shelley resisted this exclusion from gentlemanly privilege, and their writings re-examine and question aesthetic conventions such as the concept of disinterested contemplation, subtly but insistently exposing its vested interests
Bohls's study expands our awareness of women's intellectual presence in Romantic literature, and suggests Romanticism's sources might be at the peripheries of empire rather than at its center.
Other form:Print version: Bohls, Elizabeth A. Women travel writers and the language of aesthetics, 1716-1818. Cambridge ; New York : Cambridge University Press, 1995 0521474582

MARC

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505 0 |a Aesthetics and Orientalism in Mary Wortley Montagu's letters -- Janet Schaw and the aesthetics of colonialism -- Landscape aesthetics and the paradox of the female picturesque -- Helen Maria Williams' revolutionary landscapes -- Mary Wollstonecraft's anti-aesthetics -- Dorothy Wordsworth and the cultural politics of scenic tourism -- The picturesque and the female sublime in Ann Radcliffe's Mysteries of Udolpho -- Aesthetics, gender, and empire in Mary Shelley's Frankenstein. 
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