Comparative Hungarian cultural studies /

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Bibliographic Details
Imprint:West Lafayette, Ind. : Purdue University Press, ©2011.
Description:1 online resource
Language:English
Series:Comparative cultural studies
Comparative cultural studies.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11124533
Hidden Bibliographic Details
Other authors / contributors:Tötösy de Zepetnek, Steven, 1950- editor.
Vasvári, Louise O. (Louise Olga), 1943- editor.
ISBN:1612491758
9781612491752
9781612491967
1612491960
1557535930
9781557535931
1283245736
9781283245739
Digital file characteristics:data file
Notes:Includes bibliographical references and index.
Print version record.
Summary:The studies presented in the collected volume Comparative Hungarian Cultural Studies -- edited by Steven Tötösy de Zepetnek and Louise O. Vasvári -- are intended as an addition to scholarship in (comparative) cultural studies. More specifically, the articles represent scholarship about Central and East European culture with special attention to Hungarian culture, literature, cinema, new media, and other areas of cultural expression. On the landscape of scholarship in Central and East Europe (including Hungary), cultural studies has acquired at best spotty interest and studies in the volume aim at forging interest in the field. The volume's articles are in five parts: part one, "History Theory and Methodology of Comparative Hungarian Cultural Studies," include studies on the prehistory of multicultural and multilingual Central Europe, where vernacular literatures were first institutionalized for developing a sense of national identity. Part two, "Comparative Hungarian Cultural Studies and Literature and Culture" is about the re-evaluation of canonical works, as well as Jewish studies which has been explored inadequately in Central European scholarship. Part three, "Comparative Hungarian Cultural Studies and Other Arts," includes articles on race, jazz, operetta, and art, fin-de-siècle architecture, communist-era female fashion, and cinema. In part four, "Comparative Hungarian Cultural Studies and Gender," articles are about aspects of gender and sex(uality) with examples from fin-de-siècle transvestism, current media depictions of heterodox sexualities, and gendered language in the workplace. The volume's last section, part five, "Comparative Hungarian Cultural Studies of Contemporary Hungary," includes articles about post-1989 issues of race and ethnic relations, citizenship and public life, and new media.
Other form:Print version: 9786613245731
Standard no.:9786613245731

MARC

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245 0 0 |a Comparative Hungarian cultural studies /  |c ed. Steven Tötösy de Zepetnek and Louise O. Vasvári. 
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490 1 |a Comparative cultural studies 
504 |a Includes bibliographical references and index. 
520 |a The studies presented in the collected volume Comparative Hungarian Cultural Studies -- edited by Steven Tötösy de Zepetnek and Louise O. Vasvári -- are intended as an addition to scholarship in (comparative) cultural studies. More specifically, the articles represent scholarship about Central and East European culture with special attention to Hungarian culture, literature, cinema, new media, and other areas of cultural expression. On the landscape of scholarship in Central and East Europe (including Hungary), cultural studies has acquired at best spotty interest and studies in the volume aim at forging interest in the field. The volume's articles are in five parts: part one, "History Theory and Methodology of Comparative Hungarian Cultural Studies," include studies on the prehistory of multicultural and multilingual Central Europe, where vernacular literatures were first institutionalized for developing a sense of national identity. Part two, "Comparative Hungarian Cultural Studies and Literature and Culture" is about the re-evaluation of canonical works, as well as Jewish studies which has been explored inadequately in Central European scholarship. Part three, "Comparative Hungarian Cultural Studies and Other Arts," includes articles on race, jazz, operetta, and art, fin-de-siècle architecture, communist-era female fashion, and cinema. In part four, "Comparative Hungarian Cultural Studies and Gender," articles are about aspects of gender and sex(uality) with examples from fin-de-siècle transvestism, current media depictions of heterodox sexualities, and gendered language in the workplace. The volume's last section, part five, "Comparative Hungarian Cultural Studies of Contemporary Hungary," includes articles about post-1989 issues of race and ethnic relations, citizenship and public life, and new media. 
588 0 |a Print version record. 
505 0 |a Title; Copyright; Contents; Introduction to Comparative Hungarian Cultural Studies; Part One: History, Theory, and Methodology for Comparative Hungarian Cultural Studies; The Study of Hungarian Culture as Comparative Central European Cultural Studies; Literacy, Culture, and History in the Work of Thienemann and Hajnal; Vámbéry, Victorian Culture, and Stoker's Dracula; Memory and Modernity in Fodor's Geographical Work on Hungary; The Fragmented (Cultural) Body in Polcz's Asszony a fronton (A Woman on the Front); Part Two: Comparative Hungarian Cultural Studies of Literature and Culture. 
505 8 |a Contemporary Hungarian Literary Criticism and the Memory of the Socialist PastThe Absurd as a Form of Realism in Hungarian Literature; On the German and English Versions of Márai's A gyertyák csonkig égnek (Die Glut and Embers); Exile, Homeland, and Milieu in the Oral Lore of Carpatho-Rusyn Jews; Part Three: Comparative Hungarian Cultural Studies and the Other Arts; Nation, Gender, and Race in the Ragtime Culture of Millennial Budapest; Jewish (Over)tones in Viennese and Budapest Operetta; Curtiz, Hungarian Cinema, and Hollywood; Lost Dreams and Sacred Visions in the Art of Ámos. 
505 8 |a Art Nouveau and Hungarian Cultural NationalismPart Four: Comparative Hungarian Cultural Studies and Gender Studies; Hungarian Political Posters, Clinton, and the (Im)possibility of Political Drag; The Cold War, Fashion, and Resistance in 1950s Hungary; Sándor/Sarolta Vay, a Gender Bender in Fin-de-Siècle Hungary; Women Managers Communicating Gender in Hungary; Part Five: Comparative Hungarian Cultural Studies of Contemporary Hungary; Commemoration and Contestation of the 1956 Revolution in Hungary; About the Jewish Renaissance in Post-1989 Hungary. 
505 8 |a Aspects of Contemporary Hungarian Literature and CinemaLinguistic Address Systems in Post-1989 Hungarian Urban Discourse; Images of Roma in Post-1989 Hungarian Media; The Budapest Cow Parade and the Construction of Cultural Citizenship; Urbanities of Budapest and Prague as Communicated in New Municipal Media; The Anti-Other in Post-1989 Austria and Hungary; Part Six: Bibliography for the Study of Hungarian Culture; Selected Bibliography for Work in Comparative Hungarian Cultural Studies; Index. 
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651 0 |a Hungary  |x Civilization.  |0 http://id.loc.gov/authorities/subjects/sh85063025 
651 0 |a Hungary  |x Intellectual life.  |0 http://id.loc.gov/authorities/subjects/sh85063069 
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