Imaginary communities : utopia, the nation, and the spatial histories of modernity /

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Bibliographic Details
Author / Creator:Wegner, Phillip E., 1964-
Imprint:Berkeley : University of California Press, c2002.
Description:1 online resource (xxvi, 297 p.)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11126474
Hidden Bibliographic Details
ISBN:9780520926769
0520926765
0520228286 (cloth : alk. paper)
0520228294 (paper : alk. paper)
0585466092
9780585466095
1597346683
9781597346689
9780520228283
0520228286
9780520228290
0520228294
Digital file characteristics:data file
Notes:Includes bibliographical references (p. 229-286) and index.
Description based on print version record and CIP data provided by publisher; resource not viewed.
Summary:Drawing from literary history, social theory, and political critique, this far-reaching study explores the utopian narrative as a medium for understanding the social space of the modern nation-state. Considering the narrative utopia from its earliest manifestation in Thomas More's sixteenth-century work Utopia to some of the most influential utopias of the late nineteenth and twentieth centuries, this book is an astute study of a literary genre as well as a nuanced dialectical meditation on the history of utopian thinking as a quintessential history of modernity. As he unrave.
Other form:Print version: Imaginary communities Berkeley : University of California Press, c2002. 0520228286 (cloth : alk. paper)
Table of Contents:
  • Introduction: The Reality of Imaginary Communities
  • Genre and the Spatial Histories of Modernity
  • The Institutional Being of Genre
  • Space and Modernity
  • Estrangement and the Temporality of Utopia
  • Utopia and the Birth of Nations
  • Reauthoring, or the Origins of Institutions
  • Utopiques and Conceptualized Space
  • Crime and History
  • Utopia and the Nation-Thing
  • Utopia and the Work of Nations
  • Writing the New American (Re)Public: Remembering and Forgetting in Looking Backward
  • Remembering
  • The Contemporary Cul-de-Sac
  • Fragmentation
  • Consumerism and Class
  • "The Associations of Our Active Lifetime"
  • Forgetting
  • The Occluded Future: Red Star and The Iron Heel as "Critical Utopias"
  • Red Star and the Horizons of Russian Modernity
  • The Long Revolution of The Iron Heel
  • "Nameless, Formless Things"
  • "Gaseous Vertebrate"
  • Simplification and the New Subject of History
  • A Map of Utopia's "Possible Worlds": Zamyatin's We and Le Guin's The Dispossessed
  • Reclaiming We for Utopia
  • The City and the Country
  • Happiness and Freedom
  • The Play of Possible Worlds
  • We's Legacy: The Dispossessed and the Limits of the Horizon
  • Modernity, Nostalgia, and the Ends of Nations in Orwell's Nineteen Eighty-Four
  • From Utopian Modernism to Naturalist Utopia
  • Orwell and Mannheim: Nineteen Eighty-Four as "Conservative Utopia"
  • The Crisis of Modern Reason
  • Modernization against Modernity: The Culture Industry and "Secondary Orality"
  • "If there was hope ... ": Orwell's Intellectuals.