America's corporate art : the studio authorship of Hollywood motion pictures /

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Bibliographic Details
Author / Creator:	Christensen, Jerome, 1948- author.
Imprint:	Stanford, Calif. : Stanford University Press, ©2012.
Description:	1 online resource.
Language:	English
Series:	Post 45 Post 45.
Subject:	Motion picture authorship -- California -- Los Angeles -- History. Motion picture industry -- California -- Los Angeles -- History. Motion picture studios -- California -- Los Angeles -- History. Motion picture authorship. Motion picture industry. Motion picture studios. Hollywood (Los Angeles, Calif.) -- History. California -- Los Angeles. California -- Los Angeles -- Hollywood. Electronic books. History.
Format:	E-Resource Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/11131671

Hidden Bibliographic Details
ISBN:	0804778426 9780804778428 0804771677 0804778639 9780804771672 9780804778633
Notes:	Includes bibliographical references and index. Print version record.
Summary:	Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.
Other form:	Print version: America's corporate art. Stanford, CA : Stanford University Press, 2012

Table of Contents:

The rackets : entertainment inc. and the Warners gang (1928-1939)
MGM and the invention of the postwar era : Mrs. Miniver and Battleground (1940-1949)
"'Til the stars go cold" : Singin' in the rain, The band wagon, and Executive suite (1952-1954)
Ownership and authorship : Warners' Fountainhead and Hitchcock's Vertigo (1949-1958)
Saving Warner Bros. : Bonnie and Clyde, the movements, and the merger (1964-1968)
Post-Warners Warners : Batman and JFK; You've got mail (1989-1998)
The conscience of a corporation : toys united the Disney-Pixar merger, and the assertion of "cultural" authorship (1939-2006).

America's corporate art : the studio authorship of Hollywood motion pictures /

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