Henry James's Europe : heritage and transfer /

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Bibliographic Details
Imprint:Cambridge : Open Book Publishers, 2011.
Description:1 online resource (xxiv, 292 pages) : illustrations
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11134302
Hidden Bibliographic Details
Other authors / contributors:Tredy, Dennis.
Duperray, Annick.
Harding, Adrian.
ISBN:9781906924386
1906924384
2821817096
9782821817098
9781906924362
1906924368
9781906924379
1906924376
Digital file characteristics:text file
Notes:Includes bibliographical references (pages 273-286) and index.
English.
Print version record.
Summary:"As an American author who chose to live in Europe, Henry James frequently wrote about cultural differences between the Old and New World. The plight of bewildered Americans adrift on a sea of European sophistication became a regular theme in his fiction. This collection of twenty-four papers from some of the worlds leading James scholars offers a comprehensive picture of the authors cross-cultural aesthetics. It provides detailed analyses of James's perception of Europe -- of its people and places, its history and culture, its artists and thinkers, its aesthetics and its ethics -- which ultimately lead to a profound re-evaluation of his writing"--Publisher's description
Other form:Print version: Henry James's Europe. Cambridge : OpenBook Publishers, 2011 9781906924362

MARC

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245 0 0 |a Henry James's Europe :  |b heritage and transfer /  |c edited by Dennis Tredy, Annick Duperray and Adrian Harding. 
260 |a Cambridge :  |b Open Book Publishers,  |c 2011. 
300 |a 1 online resource (xxiv, 292 pages) :  |b illustrations 
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520 |a "As an American author who chose to live in Europe, Henry James frequently wrote about cultural differences between the Old and New World. The plight of bewildered Americans adrift on a sea of European sophistication became a regular theme in his fiction. This collection of twenty-four papers from some of the worlds leading James scholars offers a comprehensive picture of the authors cross-cultural aesthetics. It provides detailed analyses of James's perception of Europe -- of its people and places, its history and culture, its artists and thinkers, its aesthetics and its ethics -- which ultimately lead to a profound re-evaluation of his writing"--Publisher's description 
505 0 0 |t Preface /  |r Dennis Tredy --  |t On 'The European Society of Jamesian Studies' /  |r Adrian Harding --  |g I:  |t Ethics and Aesthetics.  |t Henry James on Opening the Door to the Devil /  |r Jean Gooder --  |t From Romance to Redemption: James and the Ethics of Globalization /  |r Roxana Oltean --  |t James's Sociology of Taste: The Ambassadors, Commodity Consumption and Cultural Critique /  |r Esther Sánchez -Pardo --  |t Bad Investments /  |r Eric Savoy --  |g II:  |t French and Italian Hours.  |t 'The Crash of Civilization': James and the Idea of France, 1914-15 /  |r Hazel Hutchison --  |t The Citizens of Babylon and the Imperial Imperative: Henry James's Modern Parisian Women /  |r Claire Garcia --  |t French as the Fantasmal Idiom of Truth in What Maisie Knew /  |r Agnès Derail-Imbert --  |t Figures of Fulfilment: James and 'a Sense of Italy' /  |r Jacek Guthorow --  |t The Aspern Papers : From Florence to an Intertexual City, Venice /  |r Rosella Mamoli Zorzi --  |t The Wavering Ruins of The American /  |r Enrico Botta --  |g III:  |t Appropriating European Thematics.  |t Balzacian Intertextuality and Jamesian Autobiography in The Ambassadors /  |r Kathleen Lawrence --  |t A Discordance Between the Self and the World: The Collector in Balzac's Cousin Pons and James's 'Adina' /  |r Simone Francescato --  |t The 'déjà vu' in 'The Turn of the Screw' /  |r Max Duperray --  |g IV:  |t Allusion.  |t Some Allusions in the Early Stories /  |r Angus Wrenn --  |t C'est strictement confidentiel : Buried Allusions in Confidence (1879) /  |r Rebekah Scott --  |t James and the Habit of Allusion /  |r Oliver Herford --  |g V:  |t Performance.  |t The Absent Writer in The Tragic Muse /  |r Nelly Valtat-Comet --  |t James and the 'Paradox of the Comedian' /  |r Richard Anker --  |t Benjamin Britten's Appropriation of James in Owen Wingrave /  |r Hubert Teyssandier --  |g VI:  |t Authorship and Self-Representation.  |t Narrative Heterogeneity as an Adjustable Fictional Lens in The American Scene /  |r Eleftheria Arapoglou --  |t James's Faces: Appearance, Absorption and the Aesthetic Significance of the Face Jakob /  |r Stougaard-Nielsen --  |t From Copying to Revision: The American to The Ambassadors /  |r Paula Marantz Cohen --  |t Friction with the Publishers, or How James Manipulated his Editors in the Early 1870's /  |r Pierre A. Walker --  |t Losing Oneself: Autobiography, Memory, Vision /  |r John Holland --  |t Bibliography of Works Cited Index. 
588 0 |a Print version record. 
546 |a English. 
600 1 0 |a James, Henry,  |d 1843-1916  |x Criticism and interpretation. 
600 1 7 |a James, Henry,  |d 1843-1916.  |2 fast  |0 (OCoLC)fst00028686 
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650 7 |a Biography: literary.  |2 bicssc 
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650 7 |a Literature and literary studies.  |2 bicssc 
650 7 |a Literature: history and criticism.  |2 bicssc 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
653 1 |a Henry James 
653 0 |a European reception of Henry James 
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653 6 |a American literature 
653 0 |a The Ambassadors, What Maisie Knew 
653 0 |a The American 
653 0 |a Portrait of a Lady 
653 0 |a Novel 
653 2 |a European Society of Jamesian Studies 
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700 1 |a Duperray, Annick.  |0 http://id.loc.gov/authorities/names/n93028923 
700 1 |a Harding, Adrian.  |0 http://id.loc.gov/authorities/names/n94098188 
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