Black male fiction and the legacy of Caliban /

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Bibliographic Details
Author / Creator:Coleman, James W. (James Wilmouth), 1946-2019.
Imprint:Lexington, Ky. : University Press of Kentucky, ©2001.
Description:1 online resource (193 pages)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11143348
Hidden Bibliographic Details
ISBN:081317077X
9780813170770
9780813158686
0813158680
081312204X
9780813122045
Notes:Includes bibliographical references (pages 180-183) and index.
Restrictions unspecified
Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
digitized 2010 HathiTrust Digital Library committed to preserve
Print version record.
Summary:With The Tempest's Caliban, Shakespeare created an archetype in the modern era depicting black men as slaves and savages who threaten civilization. As contemporary black male fiction writers have tried to free their subjects and themselves from this legacy to tell a story of liberation, they often unconsciously retell the story, making their heroes into modern-day Calibans.Coleman analyzes the modern and postmodern novels of John Edgar Wideman, Clarence Major, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. He traces the Caliban legacy to early literary in.
Other form:Print version: Coleman, James W. (James Wilmouth), 1946- Black male fiction and the legacy of Caliban. Lexington, Ky. : University Press of Kentucky, ©2001 081312204X

MARC

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245 1 0 |a Black male fiction and the legacy of Caliban /  |c James W. Coleman. 
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504 |a Includes bibliographical references (pages 180-183) and index. 
505 0 |a Defining Calibanic discourse in the Black male novel and Black male culture -- The conscious and unconscious dimensions of Calibanic discourse thematized in Philadelphia fire -- The thematized black voice in John Edgar Wideman's The Cattle killing and Reuben -- Clarence Major's quest to define and liberate the self and the Black male writer -- Charles Johnson's response to the "Caliban's dilemma" -- Calibanic discourse in postmodern and non-postmodern Black male texts -- Ralph Ellison and the literary background of contemporary Black male postmodern writers -- The "special edge" tension between the conscious and unconscious in the contemporary Black male postmodern novel. 
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520 |a With The Tempest's Caliban, Shakespeare created an archetype in the modern era depicting black men as slaves and savages who threaten civilization. As contemporary black male fiction writers have tried to free their subjects and themselves from this legacy to tell a story of liberation, they often unconsciously retell the story, making their heroes into modern-day Calibans.Coleman analyzes the modern and postmodern novels of John Edgar Wideman, Clarence Major, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. He traces the Caliban legacy to early literary in. 
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