The nicest kids in town : American bandstand, rock 'n' roll, and the struggle for civil rights in 1950s Philadelphia /

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Bibliographic Details
Author / Creator:Delmont, Matthew F.
Imprint:Berkeley : University of California Press, 2012.
Description:1 online resource : illustrations
Language:English
Series:American crossroads ; 32
American crossroads ; 32.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11148314
Hidden Bibliographic Details
Varying Form of Title:American bandstand, rock 'n' roll, and the struggle for civil rights in 1950s Philadelphia
ISBN:0520272080
9780520272088
9781280111501
128011150X
9780520951600
0520951603
9780520272071
9780520272088
0520272072
9786613520692
6613520691
Digital file characteristics:text file
Notes:Includes bibliographical references and index.
English.
Print version record.
Summary:"American Bandstand, one of the most popular television shows ever, broadcast from Philadelphia in the late fifties, a time when that city had become a battleground for civil rights. Counter to host Dick Clark's claims that he integrated American Bandstand, this book reveals how the first national television program directed at teens discriminated against black youth during its early years and how black teens and civil rights advocates protested this discrimination. Matthew F. Delmont brings together major themes in American history-civil rights, rock and roll, television, and the emergence of a youth culture-as he tells how white families around American Bandstand's studio mobilized to maintain all-white neighborhoods and how local school officials reinforced segregation long after Brown vs. Board of Education. The Nicest Kids in Town powerfully illustrates how national issues and history have their roots in local situations, and how nostalgic representations of the past, like the musical film Hairspray, based on the American Bandstand era, can work as impediments to progress in the present."--
Other form:Print version: Delmont, Matthew F. Nicest kids in town. Berkeley : University of California Press, ©2012 9780520272071
Standard no.:9786613520692
40020606694
Review by Choice Review

Delmont's excellent book is a model of how reality deconstructs the myths with which society constructs memories of the past. The myth in this case is that Dick Clark and his powerful American Bandstand television show was a leader in resolving racial conflicts and encouraging integration in Philadelphia. Using both primary sources and the research of other scholars, the author lays out the context and conflicts that caused African American youth to be excluded from American Bandstand performances and caused Clark to resist change until economic incentives made change attractive. Delmont (Scripps College) details well how the stresses in Philadelphia school integration, changes in media marketing, community spokesmen for and against racial equality, rival African American shows, echoes from southern civil rights confrontations, and cultural differences when the show moved to California in 1964 influenced Clark. Delmont also covers how later shows helped create too-optimistic memories for young Americans who had no real memory of the civil rights struggle at the time of American Bandstand's ascendance. The book's thoroughness make it a slow read, but its comprehensive revelation of the complexity of reality offers a valuable understanding of the role of myths, American Bandstand, and the melding of African Americans into the national youth culture. Summing Up: Recommended. All levels/libraries. J. H. Smith Wake Forest University

Copyright American Library Association, used with permission.
Review by Choice Review