Four Jews on Parnassus : a conversation : Benjamin, Adorno, Scholem, Schönberg /

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Bibliographic Details
Author / Creator:Djerassi, Carl.
Imprint:New York : Columbia University Press, 2008.
Description:1 online resource (xviii, 203 pages) : illustrations (some color), music
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11149852
Hidden Bibliographic Details
Other authors / contributors:Seethaler, Gabriele.
ISBN:9780231518307
0231518307
1322529531
9781322529530
023114654X
9780231146548
9780231146548
Digital file characteristics:data file
Notes:Includes bibliographical references.
English.
Summary:Theodor W. Adorno was the prototypical German Jewish non-Jew, Walter Benjamin vacillated between German Jew and Jewish German, Gershom Scholem was a committed Zionist, and Arnold Schönberg converted to Protestantism for professional reasons but later returned to Judaism. Carl Djerassi, himself a refugee from Hitler's Austria, dramatizes a dialogue between these four men in which they discuss fraternity, religious identity, and legacy as well as reveal aspects of their lives-notably their relations with their wives-that many have ignored, underemphasized, or misrepresented. The desi.
Other form:Print version: Djerassi, Carl. Four Jews on Parnassus. New York : Columbia University Press, 2008
Publisher's no.:EB00639834 Recorded Books
Description
Summary:

This book features a CD of rarely performed music, including a specially commissioned rap by Erik Weiner of Walter Benjamin's "Thesis on the Philosophy of History."

Theodor W. Adorno was the prototypical German Jewish non-Jew, Walter Benjamin vacillated between German Jew and Jewish German, Gershom Scholem was a committed Zionist, and Arnold Schönberg converted to Protestantism for professional reasons but later returned to Judaism. Carl Djerassi, himself a refugee from Hitler's Austria, dramatizes a dialogue between these four men in which they discuss fraternity, religious identity, and legacy as well as reveal aspects of their lives-notably their relations with their wives-that many have ignored, underemphasized, or misrepresented.

The desire for canonization and the process by which it is obtained are the underlying themes of this dialogue, with emphasis on Paul Klee's Angelus Novus (1920), a canonized work that resonated deeply with Benjamin, Adorno, and Scholem (and for which Djerassi and Gabrielle Seethaler present a revisionist and richly illustrated interpretation). Basing his dialogue on extensive archival research and interviews, Djerassi concludes with a daring speculation on the putative contents of Benjamin's famous briefcase, which disappeared upon his suicide.

Physical Description:1 online resource (xviii, 203 pages) : illustrations (some color), music
Bibliography:Includes bibliographical references.
ISBN:9780231518307
0231518307
1322529531
9781322529530
023114654X
9780231146548