Echoes of history : Naxi music in modern China /

Saved in:
Bibliographic Details
Author / Creator:Rees, Helen, 1964-
Imprint:New York : Oxford University Press, 2000.
Description:1 online resource (xv, 278 pages) : illustrations, maps
Language:English
Series:OUP E-Books.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11154524
Hidden Bibliographic Details
ISBN:0195129490
9780195129496
0195129504
9780195129502
1429401699
9781429401692
1280530529
9781280530524
9786610530526
6610530521
0198029632
9780198029632
0195351622
9780195351620
Digital file characteristics:data file
Notes:Originally presented as the author's thesis.
Includes bibliographical references (pages 237-259), discography (p. 261) , videography (p. 263) , and index.
English.
Print version record.
Summary:Based on fieldwork and documentary research in China, this study is a chronicle of the musical history of Lijiang County in China's southern Yunnan Province. It focuses on Dongjing music, repertoire borrowed from China's Han ethnic majority by the indigenous Naxi inhabitants of Lijiang County. Used in Confucian worship as well as in secular entertainment, Dongjing music played a key role the Naxi minority's assimilation of Han culture over the last 200 years. Prized for its complexity and elegance, which set it apart from "rough" or "simpler" indigenous Naxi music, Dongjing played an important role in defining social relationships, since proficiency in the music and membership in the Dongjing associations signified high social status and cultural refinement. In addition, there is a strong political component in its examination of the role of indigenous music in the relation of a socialist state to its ethnic minorities.
Other form:Print version: Rees, Helen, 1964- Echoes of history. New York : Oxford University Press, 2000
Description
Summary:Based on extensive fieldwork and documentary research in China, this book is a chronicle of the musical history of Lijiang County in China's southern Yunnan Province. It focuses on Dongjing music, a repertoire borrowed from China's Han ethnic majority by the indigenous Naxi inhabitants of Lijiang County. Used in Confucian worship as well as in secular entertainment, Dongjing music played a key role the Naxi minority's assimilation of Han culture over the last 200 years. Prized for its complexity and elegance, which set it apart from "rough" or "simpler" indigenous Naxi music, Dongjing played an important role in defining social relationships, since proficiency in the music and membership in the Dongjing associations signified high social status and cultural refinement. In addition, there is a strong political component in its examination of the role of indigenous music in the relation of a socialist state to its ethnic minorities. The first in English on this rich musical tradition, this book is also unique in providing a complete history of the music in a single region in China over the twentieth century. It integrates individual, local, and national histories with musical experience and musical change. Ethnic music in China provides a vivid example of the tremendous cultural changes over the past century, and the tradition continues to evolve as China encourages ethnic diversity within a unified socialist nation. The book includes a case study of China's tourist trade and its policies toward minorities.
Item Description:Originally presented as the author's thesis.
Physical Description:1 online resource (xv, 278 pages) : illustrations, maps
Bibliography:Includes bibliographical references (pages 237-259), discography (p. 261) , videography (p. 263) , and index.
ISBN:0195129490
9780195129496
0195129504
9780195129502
1429401699
9781429401692
1280530529
9781280530524
9786610530526
6610530521
0198029632
9780198029632
0195351622
9780195351620