Aquinas, ethics, and philosophy of religion : metaphysics and practice /

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Bibliographic Details
Author / Creator:Hibbs, Thomas S.
Imprint:Bloomington, Ind. : Indiana University Press, ©2007.
Description:1 online resource (xvi, 236 pages)
Language:English
Series:Indiana series in the philosophy of religion
Indiana series in the philosophy of religion.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11158821
Hidden Bibliographic Details
ISBN:9780253116765
0253116767
0253348811
9780253348814
Digital file characteristics:data file
Notes:Includes bibliographical references and index.
Print version record.
Summary:In Aquinas, Ethics, and Philosophy of Religion, Thomas Hibbs recovers the notion of practice to develop a more descriptive account of human action and knowing, grounded in the venerable vocabulary of virtue and vice. Drawing on Aquinas, who believed that all good works originate from virtue, Hibbs postulates how epistemology, ethics, metaphysics, and theology combine into a set of contemporary philosophical practices that remain open to metaphysics. Hibbs brings Aquinas into conversation with analytic and Continental philosophy and suggests how a more nuanced appreciation for his thought enric.
Other form:Print version: Hibbs, Thomas S. Aquinas, ethics, and philosophy of religion. Bloomington : Indiana University Press, 2007 0253348811
Review by Choice Review

Hibbs (Baylor Univ.) brings the writings of the medieval theologian-philosopher Thomas Aquinas "into conversation with contemporary philosophy on the question of the relationship of metaphysics and practice." In a series of penetrating essays, he demonstrates how Thomas conceived of the philosophic life of "contemplation" as an activity or "practice involving a set of virtues." Moreover, he suggests that proponents of contemporary virtue-ethics and virtue-epistemology can learn much from the rich account of the intellectual and moral virtues sketched in the Thomistic position. The middle chapters contain a careful reading of the Summa contra Gentiles. Taking issue with recent analytical (Kretzmann) and Continental (Marion) interpretations, Hibbs argues persuasively that Thomas's masterpiece is a "complex theological pedagogy" that measures both the achievements and the limitations of "pagan" philosophy in the light of Christian revelation. He concludes with an exploration of the Thomistic themes found within James Joyce's A Portrait of the Artist as a Young Man and Ulysses. Many commentators read Joyce as a prophet of modernism; Hibbs maintains that the Irish writer is "anti-modern, if not pre-modern" in his attitude to art. This is a heady mixture of philosophy, theology, and aesthetics. Summing Up: Highly recommended. Graduate students and above. W. P. Haggerty Gannon University

Copyright American Library Association, used with permission.
Review by Choice Review