Maurice Pialat.

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Bibliographic Details
Author / Creator:Warehime, Marja.
Imprint:Manchester : Manchester University Press, 2006.
Description:1 online resource (193 pages)
Language:English
Series:French Film Directors
French film directors.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11166902
Hidden Bibliographic Details
ISBN:9781847794376
1847794378
9781781703267
1781703264
9780719068225
0719068223
Notes:Includes bibliographical references, filmography and index.
English.
Print version record.
Summary:One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat?s particular form of realism influenced an entire generation of young filmmakers in the nineties. This volume is the first book-length study of Pialat?s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society a.
Other form:Print version: Warehime, Marja. Maurice Pialat. Manchester : Manchester University Press, ©2006 9780719068225

MARC

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505 0 |a Copyright; Contents; List of plates; Series editors' foreword; Acknowledgements; 1. Introduction: Maurice Pialat, the outsider; 2. Pialat and the Nouvelle Vague; 3. A family of works; 4. Family portraits I: Nous ne vieillironspas ensemble, La Gueule ouverte andPasse ton bac d'abord; 5. Family portraits II: Loulou, A nosamours and Police; 6. The saint and the artist: men apart; 7. Conclusion: paternity and Le Garçu; Filmography; Select bibliography; Index. 
520 |a One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat?s particular form of realism influenced an entire generation of young filmmakers in the nineties. This volume is the first book-length study of Pialat?s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society a. 
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504 |a Includes bibliographical references, filmography and index. 
546 |a English. 
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