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1 |
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|a Nicol, David,
|d 1975-
|0 http://id.loc.gov/authorities/names/nb2013003638
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| 245 |
1 |
0 |
|a Middleton and Rowley :
|b forms of collaboration in the Jacobean playhouse /
|c David Nicol.
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| 246 |
1 |
4 |
|a Middleton & Rowley
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| 260 |
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|a Toronto ;
|a Buffalo :
|b University of Toronto Press,
|c ©2012.
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| 300 |
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|a 1 online resource (xii, 216 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages 185-204) and index.
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| 588 |
0 |
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|a Print version record.
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| 505 |
0 |
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|a Middleton and Rowley : writing about collaborative drama -- Collaborators and individual style : choice and religion in The changeling -- The actor as collaborator : Wit at several weapons and the incorporation of personae -- Collaborators and playing companies : class and genre in A fair quarrel -- A presence in the crowd : multiple authorship and the individual voice in The Spanish gypsy and The old law.
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| 520 |
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|a "Can the inadvertent clashes between collaborators produce more powerful effects than their concordances? For Thomas Middleton and William Rowley, the playwriting team best known for their tragedy The Changeling, disagreements and friction proved quite beneficial for their work. This first full-length study of Middleton and Rowley uses their plays to propose a new model for the study of collaborative authorship in early modern English drama. David Nicol highlights the diverse forms of collaborative relationships that factor into a play's meaning, including playwrights, actors, companies, playhouses, and patrons. This kaleidoscopic approach, which views the plays from all these perspectives, throws new light on the Middleton-Rowley oeuvre and on early modern dramatic collaboration as a whole."--Pub. desc.
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| 600 |
1 |
0 |
|a Middleton, Thomas,
|d -1627
|x Authorship
|x Collaboration.
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| 600 |
1 |
0 |
|a Rowley, William,
|d 1585?-1642
|x Authorship
|x Collaboration.
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| 600 |
1 |
0 |
|a Middleton, Thomas,
|d -1627
|x Criticism and interpretation.
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| 600 |
1 |
0 |
|a Rowley, William,
|d 1585?-1642
|x Criticism and interpretation.
|
| 600 |
1 |
6 |
|a Middleton, Thomas,
|d m. 1627
|x Oeuvres de collaboration.
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| 600 |
1 |
6 |
|a Rowley, William,
|d 1585?-1642?
|x Oeuvres de collaboration.
|
| 600 |
1 |
6 |
|a Middleton, Thomas,
|d m. 1627
|x Critique et interprétation.
|
| 600 |
1 |
6 |
|a Rowley, William,
|d 1585?-1642?
|x Critique et interprétation.
|
| 600 |
1 |
7 |
|a Middleton, Thomas,
|d -1627.
|2 fast
|0 (OCoLC)fst01834808
|
| 600 |
1 |
7 |
|a Rowley, William,
|d 1585?-1642?
|2 fast
|0 (OCoLC)fst00044253
|
| 600 |
1 |
4 |
|a Middleton, Thomas,
|d -1627.
|
| 600 |
1 |
4 |
|a Rowley, William,
|d 1585?-1642?
|
| 600 |
1 |
4 |
|a Middleton, Thomas,
|d m. 1627.
|
| 650 |
|
0 |
|a Authorship
|x Collaboration
|x History
|y 17th century.
|
| 650 |
|
0 |
|a English drama
|y 17th century
|x History and criticism.
|
| 650 |
|
6 |
|a Coauteurs
|x Histoire
|y 17e siècle.
|
| 650 |
|
6 |
|a Théâtre anglais
|y 17e siècle
|x Histoire et critique.
|
| 650 |
|
7 |
|a PERFORMING ARTS
|x Theater
|x History & Criticism.
|2 bisacsh
|
| 650 |
|
7 |
|a DRAMA
|x English, Irish, Scottish, Welsh.
|2 bisacsh
|
| 650 |
|
7 |
|a Authorship
|x Collaboration.
|2 fast
|0 (OCoLC)fst00822444
|
| 650 |
|
7 |
|a English drama.
|2 fast
|0 (OCoLC)fst00910737
|
| 648 |
|
7 |
|a 1600-1699
|2 fast
|
| 655 |
|
0 |
|a Electronic books.
|
| 655 |
|
4 |
|a Electronic books.
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
| 655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
| 776 |
0 |
8 |
|i Print version:
|z 9781442643703
|z 1442643706
|
| 903 |
|
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|a HeVa
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|a oclccm
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| 928 |
|
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|t Library of Congress classification
|a PR2717 .N53 2012
|l Online
|c UC-FullText
|u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=e000xna&AN=682859
|z eBooks on EBSCOhost
|g ebooks
|i 12382891
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