Temporality and film analysis /

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Bibliographic Details
Author / Creator:Mroz, Matilda.
Imprint:Edinburgh : Edinburgh University Press, ©2012.
Description:1 online resource (202 pages)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11173008
Hidden Bibliographic Details
ISBN:9780748643479
0748643478
0748676511
9780748676514
9780748668441
0748668446
9780748643462
074864346X
9780748668434
0748668438
1299105548
074868591X
9781299105546
1299105548
Notes:Includes bibliographical references (pages 192-200) and index.
English.
Print version record.
Summary:Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. In close readings of Michelangelo Antonioni's L'Avventura, Andrei Tarkovsky's Mirror, and the ten short films that make up Krzysztof KieÅ₎lowski's Decalogue series, Mroz highlights how film analysis must consider both particular moments in cinema which are critically significant, and the way in which such moments interrelate in temporal flux. She explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh perspective to film analysis and criticism. Essential reading for students and scholars in Film Studies, this engaging study will also be a valuable resource for critical theorists.
Other form:Print version: Mroz, Matilda. Temporality and film analysis. Edinburgh : Edinburgh University Press, ©2012 9780748643462

MARC

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588 0 |a Print version record. 
520 |a Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. In close readings of Michelangelo Antonioni's L'Avventura, Andrei Tarkovsky's Mirror, and the ten short films that make up Krzysztof KieÅ₎lowski's Decalogue series, Mroz highlights how film analysis must consider both particular moments in cinema which are critically significant, and the way in which such moments interrelate in temporal flux. She explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh perspective to film analysis and criticism. Essential reading for students and scholars in Film Studies, this engaging study will also be a valuable resource for critical theorists. 
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