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|a Foster, Gwendolyn Audrey,
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|0 http://id.loc.gov/authorities/names/n95014980
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| 245 |
1 |
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|a Women filmmakers of the African and Asian diaspora :
|b decolonizing the gaze, locating subjectivity /
|c Gwendolyn Audrey Foster.
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| 260 |
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|a Carbondale, Ill. :
|b Southern Illinois University Press,
|c ©1997.
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|a 1 online resource (x, 177 pages) :
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|a Includes bibliographical references (pages 157-168) and index.
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|a Introduction -- Zeinabu irene Davis : "Constructing an oppositional gaze" -- Ngozi Onwurah : "A different concept and agenda" -- Julie Dash : "I think we need to do more than try to document history" -- Pratibha Parmar : "An assault on racism, sexism, and homophobia" -- Trinh T. Minh-ha : "An empowering notion of difference" -- Mira Nair : "To be mixed is the new world order" -- Other voices.
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|a Black women filmmakers not only deserve an audience, Gwendolyn Audrey Foster asserts, but it is also imperative that their voices be heard as they struggle against Hollywood's constructions of spectatorship, ownership, and the creative and distribution aspects of filmmaking.Foster provides a voice for Black and Asian women in the first detailed examination of the works of six contemporary Black and Asian women filmmakers. She also includes a detailed introduction and a chapter entitled ""Other Voices,"" documenting the work of other Black and Asian filmmakers.Foster.
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|a African American women motion picture producers and directors.
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|x Direction & Production.
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|i Print version:
|a Foster, Gwendolyn Audrey.
|t Women filmmakers of the African and Asian diaspora.
|d Carbondale, Ill. : Southern Illinois University Press, ©1997
|z 080932119X
|z 9780809321193
|w (DLC) 96027635
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|t Library of Congress classification
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|l Online
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