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1 |
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|a Rees-Roberts, Nick.
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| 245 |
1 |
0 |
|a French queer cinema /
|c Nick Rees-Roberts.
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| 260 |
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|a Edinburgh :
|b Edinburgh University Press,
|c ©2008.
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| 300 |
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|a 1 online resource (vii, 167 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a online resource
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| 347 |
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| 504 |
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|a Includes bibliographical references (pages 151-158) and index.
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| 588 |
0 |
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|a Print version record.
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| 505 |
0 |
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|a Copyright; Contents; Acknowledgements; Introduction; 1. Beur Masculinity and Queer Fantasy; 2. Down and Out: Immigrant Poverty and Queer Sexuality; 3. Mauvais Genres: Transgender and Gay Identity; 4. Queer Sexuality, AIDS and Loss; 5. The Emergence of Queer DIY Video; Bibliography; Index.
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| 520 |
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|a French Queer Cinema looks at queer self-representation in contemporary auteur film and experimental video in France. Whilst there is growing research on representations of queer sexualities in France, this is the first comprehensive study of the cultural formation and critical reception of contemporary queer film and video. French Queer Cinema addresses the socio-political context informing both queer DIY video and independent gay cinema, including films such as Patrice ChÃ♭reau's Ceux qui m'aiment prendront le train, Olivier Ducastel and Jacques Martineau's DrÃþle de FÃ♭lix, FranÃʹois Ozon's Le Temps qui reste and AndrÃ♭ TÃ♭chinÃ♭'s Les TÃ♭moins. Taking up the recent Anglo-American attention to queer migration, the book looks at gay fantasies of Arab (beur) men, as well as beur self-representation in Europe's fastest-selling gay DV porn production CitÃ♭beur. Further chapters cover transgender dissent, and the effects of AIDS and loss on the formation of gay identities. Key Features Provides a full, up-to-date account of the formation, reception and setting for contemporary queer film and video in France. Situates cinematic representations of migration, social exclusion and queer sexualities in the context of recent repressive legislation on sex work and immigration. Covers the work of less well-known directors such as Christophe HonorÃ♭, SÃ♭bastien Lifshitz and Gañl Morel.
|
| 650 |
|
0 |
|a Homosexuality and motion pictures
|z France.
|
| 650 |
|
0 |
|a Homosexuality in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh85061793
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| 650 |
|
0 |
|a Gays in motion pictures.
|0 http://id.loc.gov/authorities/subjects/sh2003005550
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| 650 |
|
0 |
|a Motion pictures
|z France.
|0 http://id.loc.gov/authorities/subjects/sh95001753
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| 650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
|
| 650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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| 650 |
|
7 |
|a Gays in motion pictures.
|2 fast
|0 (OCoLC)fst00939310
|
| 650 |
|
7 |
|a Homosexuality and motion pictures.
|2 fast
|0 (OCoLC)fst00959820
|
| 650 |
|
7 |
|a Homosexuality in motion pictures.
|2 fast
|0 (OCoLC)fst00959829
|
| 650 |
|
7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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| 651 |
|
7 |
|a France.
|2 fast
|0 (OCoLC)fst01204289
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| 655 |
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|a Electronic books.
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| 655 |
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4 |
|a Electronic books.
|
| 776 |
0 |
8 |
|i Print version:
|a Rees-Roberts, Nick.
|t French queer cinema.
|d Edinburgh : Edinburgh University Press, ©2008
|z 9780748634187
|z 0748634185
|w (OCoLC)243821245
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|t Library of Congress classification
|a PN1995.9.H55 R44 2008eb
|l Online
|c UC-FullText
|u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=e000xna&AN=258123
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|i 12633859
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