Feeling beauty : the neuroscience of aesthetic experience /

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Bibliographic Details
Author / Creator:Starr, G. Gabrielle, 1974- author.
Imprint:Cambridge, Massachusetts ; London, England : The MIT Press, [2013]
©2013
Description:1 online resource (xx, 259 pages) : illustrations (some color)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11201485
Hidden Bibliographic Details
Varying Form of Title:Neuroscience of aesthetic experience
ISBN:9781461936008
1461936004
9780262315456
0262315459
1299746187
9781299746183
9780262315449
0262315440
9780262019316
0262019310
0262527448
9780262527446
Digital file characteristics:data file
Notes:Includes bibliographical references (pages 221-255) and index.
English.
Print version record.
Summary:Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both cognitive neuroscience and traditional humanist inquiry, the book shows that neuroaesthetics offers a new model for understanding the dynamic and changing features of aesthetic life, the relationships among the arts, and how individual differences in aesthetic judgment shape the varieties of aesthetic experience.
Other form:Print version: Starr, G. Gabrielle, 1974- Feeling beauty. Cambridge, Massachusetts ; London, England : The MIT Press, [2013] 9780262019316

MARC

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245 1 0 |a Feeling beauty :  |b the neuroscience of aesthetic experience /  |c G. Gabrielle Starr. 
246 3 0 |a Neuroscience of aesthetic experience 
264 1 |a Cambridge, Massachusetts ;  |a London, England :  |b The MIT Press,  |c [2013] 
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504 |a Includes bibliographical references (pages 221-255) and index. 
505 0 0 |t Aesthetics, neuroaesthetics, and the sister arts --  |t Seen and heard : a model for the sister arts --  |t Aesthetics beyond the mind's eye : imagery and the sister arts --  |t Toward a dynamic aesthetics : the sister arts and beyond. 
520 8 |a Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both cognitive neuroscience and traditional humanist inquiry, the book shows that neuroaesthetics offers a new model for understanding the dynamic and changing features of aesthetic life, the relationships among the arts, and how individual differences in aesthetic judgment shape the varieties of aesthetic experience. 
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