Animals as disguised symbols in Renaissance art /
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Author / Creator: | Cohen, Simona. |
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Imprint: | Leiden ; Boston : Brill, 2008. |
Description: | 1 online resource (xxxix, 316 pages) : illustrations (some color) |
Language: | English |
Series: | Brill's studies in intellectual history, 0920-8607 ; v. 169. Brill's studies on art, art history, and intellectual history ; v. 2 Brill's studies in intellectual history ; v. 169. Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 2. |
Subject: | |
Format: | E-Resource Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11202650 |
Table of Contents:
- Medieval sources of Renaissance animal symbolism
- Renaissance naturalists and animal symbolism : fact and fantasy
- Emblematic literature and related sources
- The birds and animals of Carpaccio's Miles Christianus
- The enigma of Carpaccio's Venetian ladies
- Animals in the paintings of Titian : a key to hidden meanings
- Titian's London allegory and the three beasts of his Selva oscura
- Animal heads and hybrid creatures : the case of the San Lorenzo Lavabo and its sources
- Andrea del Sarto's Madonna of the harpies and the human-animal hybrid in the Renaissance
- The ambivalent scorpio in Bronzino's London allegory.