Understanding David Henry Hwang /

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Bibliographic Details
Author / Creator:Boles, William C., 1966-
Imprint:Columbia : The University of South Carolina Press, 2013.
Description:1 online resource.
Language:English
Series:Understanding Contemporary American Literature
Understanding contemporary American literature.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11209895
Hidden Bibliographic Details
ISBN:9781611172881
1611172888
1306077281
9781306077286
161117287X
9781611172874
Notes:Includes bibliographical references and index.
Print version record.
Summary:David Henry Hwang is best known as the author of M. Butterfly, which won a 1988 Tony Award and was a finalist for a Pulitzer Prize, and he has written the Obie Award-winners Golden Child and FOB, as well as Family Devotions, Sound and Beauty, Rich Relations, and a revised version of Flower Drum Song. His Yellow Face won a 2008 Obie Award and was a finalist for a Pulitzer Prize. Understanding David Henry Hwang is a critical study of Hwang's playwriting process as well as the role of identity in each one of Hwang's major theatrical works. A first-generation Asian American, Hwang intrinsically understands the complications surrounding the competing attractiveness of an American identity with its freedoms in contrast to the importance of a cultural and ethnic identity connected to another country's culture. William C. Boles examines Hwang's plays by exploring the perplexing struggles surrounding Asian and Asian American stereotypes, values, and identity. Boles argues that Hwang deliberately uses stereotypes in order to subvert them, while at other times he embraces the dual complexity of ethnicity when it is tied to national identity and ethnic history. In addition to the individual questions of identity as they pertain to ethnicity, Boles discusses how Hwang's plays explore identity issues of gender, religion, profession, and sexuality. The volume concludes with a treatment of Chinglish, both in the context of rising Chinese economic prominence and in the context of Hwang's previous work. Hwang has written ten short plays including The Dance and the Railroad, five screenplays, and many librettos for musical theater. The recipient of fellowships from the National Endowment for the Arts and the Guggenheim and Rockefeller foundations, Hwang was appointed by President Bill Clinton to the President's Committee on the Arts and the Humanities.
Other form:Print version: Boles, William C., 1966- Understanding David Henry Hwang. Columbia, South Carolina : The University of South Carolina Press, ©2013 144 pages Understanding contemporary American literature. 9781611172874

MARC

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505 0 |a Understanding David Henry Hwang -- Hwang's Asian American trilogy: FOB, The dance and the railroad, and Family devotions -- Two experiments: sound and beauty and rich relations -- International success: M. Butterfly -- After M. Butterfly: controversy, love, failure, and gold -- A musical Hwang: flower drum song -- Wrapping up, beginning anew: yellow face and Chinglish. 
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520 |a David Henry Hwang is best known as the author of M. Butterfly, which won a 1988 Tony Award and was a finalist for a Pulitzer Prize, and he has written the Obie Award-winners Golden Child and FOB, as well as Family Devotions, Sound and Beauty, Rich Relations, and a revised version of Flower Drum Song. His Yellow Face won a 2008 Obie Award and was a finalist for a Pulitzer Prize. Understanding David Henry Hwang is a critical study of Hwang's playwriting process as well as the role of identity in each one of Hwang's major theatrical works. A first-generation Asian American, Hwang intrinsically understands the complications surrounding the competing attractiveness of an American identity with its freedoms in contrast to the importance of a cultural and ethnic identity connected to another country's culture. William C. Boles examines Hwang's plays by exploring the perplexing struggles surrounding Asian and Asian American stereotypes, values, and identity. Boles argues that Hwang deliberately uses stereotypes in order to subvert them, while at other times he embraces the dual complexity of ethnicity when it is tied to national identity and ethnic history. In addition to the individual questions of identity as they pertain to ethnicity, Boles discusses how Hwang's plays explore identity issues of gender, religion, profession, and sexuality. The volume concludes with a treatment of Chinglish, both in the context of rising Chinese economic prominence and in the context of Hwang's previous work. Hwang has written ten short plays including The Dance and the Railroad, five screenplays, and many librettos for musical theater. The recipient of fellowships from the National Endowment for the Arts and the Guggenheim and Rockefeller foundations, Hwang was appointed by President Bill Clinton to the President's Committee on the Arts and the Humanities. 
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