Lorenzo de' Medici and the art of magnificence /

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Bibliographic Details
Author / Creator:Kent, F. W. (Francis William), 1942-
Imprint:Baltimore : Johns Hopkins University Press, ©2004.
Description:1 online resource (xii, 230 pages) : illustrations.
Language:English
Series:The Johns Hopkins symposia in comparative history ; 24th
Johns Hopkins symposia in comparative history ; 24th.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11217746
Hidden Bibliographic Details
ISBN:9781435692732
143569273X
0801878683
9780801878688
9780801886270
0801886279
9780801892011
0801892015
0801878683
9780801878688
Digital file characteristics:text file
Notes:Includes bibliographical references and index.
Print version record.
Summary:"In the past half century, scholars have downplayed the significance of Lorenzo de' Medici (1449-1492) as a patron of the arts. Less wealthy than his grandfather Cosimo, the argument goes, Lorenzo was far more interested in collecting ancient objects of art than in commissioning contemporary art or architecture. His earlier reputation as a patron was said to be largely a construct of humanist exaggeration and partisan deference."
"Historian F.W. Kent offers a new look at Lorenzo's relationship to the arts, aesthetics, collecting, and building - especially in the context of his role as the political boss (maestro della bottega) of republican Florence and a leading player in Renaissance Italian diplomacy. Kent's approach reveals Lorenzo's activities as an art patron as far more extensive and creative than previously thought. Known as "the Magnificent," Lorenzo was broadly interested in the arts and supported efforts to beautify Florence and the many Medici lands and palaces. His expertise was well regarded by guildsmen and artists, who often turned to him for advice as well as for patronage.
Lorenzo was educated in the arts by such men, and Kent explores his aesthetic education and taste, taking into account what is known of Lorenzo's patronage of music and manuscripts, and of his own creative works as a major Quattrocento poet." "Illustrated with photographs of Medici landmarks by Ralph Lieberman, Lorenzo de' Medici and the Art of Magnificence offers a portrait of Lorenzo as a man whose achievements might have rivaled his grandfather's had he not died so young."--Jacket.
Other form:Print version: Kent, F.W. (Francis William), 1942- Lorenzo de' Medici and the art of magnificence. Baltimore : Johns Hopkins University Press, ©2004
Standard no.:9780801878688
Review by Choice Review

Billed by its author as a "pendant study" to his projected two-volume biography of Lorenzo "The Magnificent," this concise book is pitched primarily at art historians. A leading social historian of Renaissance Florence, Kent (Monash Univ. Centre, Prato) incorporates his own archival findings into a synthetic, up-to-date account of Lorenzo's multifaceted patronage: beyond spending on art, Lorenzo was a maestro della bottega ("boss of the workshop") who coordinated artistic and architectural projects. He also excelled at managing a network of political clients. Lorenzo's "aesthetic education" began early: in his teens, he learned from guildsmen and artists, observed politics in various Italian courts, and served on opere, civic bodies entrusted with managing large-scale building projects. On later opere, he learned about military architecture and met master carpenters and builders. By the late 1480s, having developed his aesthetic, administrative, and political skills and connections, Lorenzo sponsored extensive urban construction and built country villas, but his death at age 43 prevented the realization of his grandest designs. Engaging explicitly in historiographical debates, this book will best serve the needs of specialists. It whets the appetite for what promises to be a definitive biography. ^BSumming Up: Recommended. Graduate students and faculty. K. Gouwens University of Connecticut

Copyright American Library Association, used with permission.
Review by Choice Review