Musicality in theatre : music as model, method and metaphor in theatre-making /

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Bibliographic Details
Author / Creator:Roesner, David, author.
Imprint:Farnham, Surrey, UK ; Burlington, VT : Ashgate Publishing Limited, 2014.
Description:1 online resource
Language:English
Series:Ashgate interdisciplinary studies in opera
Ashgate interdisciplinary studies in opera.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11230023
Hidden Bibliographic Details
ISBN:9781409461029
1409461025
1472407318
9781472407313
9781306923750
1306923751
9781409461012
1409461017
9781472407313
9781315597003
1315597004
Notes:Includes bibliographical references and index.
English.
Print version record.
Summary:Music continues to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship between music and theatre. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
Other form:Print version: Roesner, David. Musicality in theatre 9781409461012

MARC

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520 |a Music continues to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship between music and theatre. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier. 
505 0 |a Cover; Contents; List of Figures; Series Editor's Preface; Acknowledgements; Introduction: Premises and Promises; 1 Appia -- Musicality and the 'Inner Essence'; 2 Meyerhold -- Theatre 'Organized According to The Music's Laws'; 3 Artaud -- The Musicality of Sound, Voice and Noise; 4 Writing with Your Ears -- The Musicality of Playwriting; 5 Theatre and Jazz; 6 The Eclectic Musicality of Now; Conclusion: Paradoxes of Musicality; Bibliography; Index. 
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