Radiohead and the resistant concept album : how to disappear completely /

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Bibliographic Details
Author / Creator:Letts, Marianne Tatom, 1970-
Imprint:Bloomington : Indiana University Press, ©2010.
Description:1 online resource (xv, 234 pages) : illustrations.
Language:English
Series:Profiles in popular music
Profiles in popular music.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11234925
Hidden Bibliographic Details
ISBN:9780253004918
0253004918
9780253355706
0253355702
9780253222725
0253222729
Notes:Includes bibliographical references, discography and index.
Print version record.
Summary:How the British rock band Radiohead subverts the idea of the concept album in order to articulate themes of alienation and anti-capitalism is the focus of Marianne Tatom Letts's analysis of Kid A and Amnesiac. These experimental albums marked a departure from the band's standard guitar-driven base layered with complex production effects. Considering the albums in the context of the band's earlier releases, Letts explores the motivations behind this change. She places the two albums within the concept-albu.
Other form:Print version: Letts, Marianne Tatom, 1970- Radiohead and the resistant concept album. Bloomington : Indiana University Press, ©2010 9780253355706

MARC

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260 |a Bloomington :  |b Indiana University Press,  |c ©2010. 
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490 1 |a Profiles in popular music 
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504 |a Includes bibliographical references, discography and index. 
505 0 |a Introduction -- Back to save the universe : the reception of OK computer and Kid A -- Everything in its right place : musical elements in Kid A -- Cut the kids in half : the second death of Kid A -- After years of waiting, nothing came : Amnesiac as antidote -- I might be wrong : Amnesiac and beyond -- We are the dollars and cents : Radiohead as commodity. 
520 |a How the British rock band Radiohead subverts the idea of the concept album in order to articulate themes of alienation and anti-capitalism is the focus of Marianne Tatom Letts's analysis of Kid A and Amnesiac. These experimental albums marked a departure from the band's standard guitar-driven base layered with complex production effects. Considering the albums in the context of the band's earlier releases, Letts explores the motivations behind this change. She places the two albums within the concept-albu. 
610 2 0 |a Radiohead (Musical group)  |x Criticism and interpretation. 
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