Senses of Vibration : a History of the Pleasure and Pain of Sound.

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Bibliographic Details
Author / Creator:Trower, Shelley, 1975-
Imprint:New York : Bloomsbury Publishing, 2012.
Description:1 online resource (223 pages)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11236897
Hidden Bibliographic Details
ISBN:9781441118905
144111890X
9781441161970
144116197X
9781441148636
1441148639
Digital file characteristics:data file
Notes:Includes bibliographical references (pages 193-209) and index.
Print version record.
Summary:The study of the senses has become a rich topic in recent years. Senses of Vibration explores a wide range of sensory experience and makes a decisive new contribution to this growing field by focussing not simply on the senses as such, but on the material experience - vibration - that underpins them. This is the first book to take the theme of vibration as central, offering an interdisciplinary history of the phenomenon and its reverberations in the cultural imaginary. It tracks vibration through the work of a wide range of writers, including physiologists (who thought vibrations in the nerve.
Other form:Print version: Trower, Shelley. Senses of Vibration : A History of the Pleasure and Pain of Sound. New York : Bloomsbury Publishing, ©2012 9781441148636

MARC

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505 0 |a Acknowledgements; Introduction: Hearing Vibrations; 1 Nervous Motions; 2 Psychophysical Sensations and Spiritual Vibrations; 3 Wires, Rays and Radio Waves; 4 Pathological Motions: Railway Shock, Street Noises, Earthquakes; 5 Sexual Health: Sewing Machines, Bicycle Spine, the Vibrator; Afterword; Notes; Bibliography; Index. 
520 |a The study of the senses has become a rich topic in recent years. Senses of Vibration explores a wide range of sensory experience and makes a decisive new contribution to this growing field by focussing not simply on the senses as such, but on the material experience - vibration - that underpins them. This is the first book to take the theme of vibration as central, offering an interdisciplinary history of the phenomenon and its reverberations in the cultural imaginary. It tracks vibration through the work of a wide range of writers, including physiologists (who thought vibrations in the nerve. 
504 |a Includes bibliographical references (pages 193-209) and index. 
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