Rome measured and imagined : early modern maps of the Eternal City /

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Bibliographic Details
Author / Creator:Maier, Jessica, author.
Imprint:Chicago ; London : The University of Chicago Press, 2015.
Description:1 online resource : illustrations, maps
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11242600
Hidden Bibliographic Details
ISBN:9780226127774
022612777X
9780226127637
022612763X
Notes:Includes bibliographical references and index.
Print version record.
Summary:At the turn of the 15th century, Rome was in the midst of a dramatic transformation from what the 14th-century poet Petrarch had termed a 'crumbling city' populated by 'broken ruins' into a prosperous Christian capital. Scholars, artists, architects, and engineers fascinated by Rome were spurred to develop new graphic modes for depicting the city - and the genre known as the city portrait exploded. In 'Rome Measured and Imagined', Jessica Maier explores the history of this genre - which merged the accuracy of scientific endeavor with the imaginative aspects of art - during the rise of Renaissance print culture.
Other form:Print version: Maier, Jessica. Rome measured and imagined 9780226127637
Review by Choice Review

In this imaginative, meticulous book, Maier (art history, Mount Holyoke) explores the world of early modern maps of Rome, from Alberti's treatise on cartography (c. 1450) to the 18th-century enterprises of Nolli, Vasi, and Piranesi. Rome, "the quintessential palimpsest," underwent grand reinvention in this period, and ritratti, or "portraits" of the city (as city maps and views were called) reflect not only changes in its urban framework but also shifts in artistic style, new attitudes toward antiquity, and contemporary improvements in cartography and surveying. In attempting to represent "the real Rome," therefore, ritratti were both scientific and artistic, merging "measured rendering" with "creative expression." Though Maier focuses on maps, such as those by Bufalini, Ligorio, Du PĂ©rac, and Falda, she wisely expands her scope to address more essentially visual sources (late medieval images of cities) and key textual sources (Alberti and Raphael) and analyzes her evidence for artistic, scientific, intellectual, historical, and even commercial insights. The book is therefore as interdisciplinary as its material, useful for introducing students to its subject and serving as a fine example of interdisciplinary scholarship. Summing Up: Essential. All academic levels/libraries. --Carrie E. Benes, New College of Florida

Copyright American Library Association, used with permission.
Review by Choice Review